Tetsuo Kogawa
Tetsuo Kogawa
Performing with hand built radio transmitters, which react to interference in the atmosphere and the electrical impedance of his hands, his radio art is a form of social practice; a statement in opposition to mass media.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Performing with hand built radio transmitters, which react to interference in the atmosphere and the electrical impedance of his hands, his radio art is a form of social practice; a statement in opposition to mass media.
A prison abolitionist punk video-poetry-music mash up about our fucked-up dystopian society, RoboCop, kids toys and criminality.
The production of moving image (film) by the mechanically, unfalteringly repetitive manipulation of mass-produced materials (film), in order to explore three different allegorical representations (films) of repetitive human actions and labour under capital.
In rethinking the body, the law, the state, gender, race, violence, care and empathy, how we might give humanness a different future?
Dual projections of pulsating shards of film, treated in crystallized salts and dyes merge with the whirring of projectors, distilled into particles of sound.
The queer archiving of traumatic cultural memory from one of the leading voices working with queer archives.
Journalist and underground music champion Alan Cummings talks to Keiji Haino about his career and his performance the previous evening.
Post consideration and post rationalisation… How do we think about experimental music and film after the performance?
A guitar solo of frugal wringing, of notes in the dark, an attitude of making everything count.
A drone installation populated by flourescent strip lights working in complicity with analogue radios – “all the lights just do their thing”.
Profound mathematical ideas for romantics, to help us linger in the difference we share.
For day four of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by Fred Moten.