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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A film frames has the words "Scene Missing" displayed
25 February 2010
DCA

Standard Gauge & ()

Morgan Fisher

A double bill of Morgan Fisher films that ask what can be achieved by a simple structural method of commenting on scraps of 35mm film, re-shot on 16mm film and what happens to meaning (if anything) when ‘insert shots’ are relieved of their original duty of providing crucial plot development for a variety of other movies?

Kill Your Timid Notion 10
Z'EV performing with home made percussion instruments in a railway arch
16 October 2004
The Arches

Z’EV

Z’EV

US percussionist, poet, sound artist and instrument maker performing on self-made instruments constructed from industrial materials such as stainless steel, titanium, PVC plastics and various kinds of pipe.

INSTAL 04
A man looks through camcorder viewfinder in the reflection in a mirror
21 February 2010
DCA

Hotel Diaries 1-8

John Smith

These simple, one-take videos, relate personal experiences to the current conflicts in the Middle East via the most basic of means (a hotel room, a camcorder, John’s personal thoughts, concerns and convictions).

Kill Your Timid Notion 10
John Blum & Jackson Krall performing on piano and drums at MLFC 07
12 May 2007
The Sage Gateshead

John Blum & Jackson Krall

Jackson Krall John Blum

Free jazz pianist John Blum with an everywhere-at-once presence in duo with Jackson Krall, incendiary free jazz drummer and sound sculptor

Music Lover’s Field Companion 07
"Episode 11: To End the Worlds As We Know It" title superimposed in white & red text on top of a blue back ground with a dark navy circle that looks like ripped paper.
13 – 17 November 2024
Tramway Glasgow School of Art

Episode 11: To End the World As We Know It

5 days of film, music, discussion and study of our collective incompleteness—arrayed against the colonial ordering of how we come to know the world—practicing how we might exist otherwise, right here and now. Can we start to know and practice the world to come?

A drawing of a circular shape made in graphic pencil
5 February 2012
Glasgow University Chapel

Concert 1: Organ Solo

Jean-Luc Guionnet

Each organ is unique. The project is to find out what makes it unique.

Investigation: Jean-Luc Guionnet
a hand places a sweet into the mount of a glamorously made up woman
28 February 2010
DCA

Film Programme 7: Duplication

Various Artists

Nothing if not repetitive, film is founded on the incremental succession of minute difference. But how does repetition of the same play out, and is it a tool to comment on the standardising repetition of the mass media?

Kill Your Timid Notion 10
Several tables covered in white paper have blue chairs around them.
5 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Fred Moten Ultra-red

For day four of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by Fred Moten.

A survey is a process of listening
23 November 2019
Tramway

Discussion on Mathopoetics

Fred Moten Fernando Zalamea

A back and forth between Fred and Fernando on the transits and obstructions between mathematics and poetics, and how both help us to think from the other side.

Episode 10: A Means Without End
arika_ep6_IMG_5024
26 September 2014
Stereo

Make a Way Out of No Way: Club

Kia Labeija MikeQ Miss Prissy Pony Zion

Is it possible to dance our way out of the hardened stances and identity prisons we are locked in?

Episode 6: Make a Way Out of No Way
A series of large dimly lit light bulbs hanging in a room
12 April 2007
DCA

Beyond 6281

ARTIFICIEL

Audio signals pass through light bulbs, causing the filaments of the bulbs to sing and crackle in a chorus of electronic static.

Kill Your Timid Notion 07
Amplifiers outside with mics on the floor coming from them
27 February 2010
DCA

Hit Parade

Christof Migone

Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?

Kill Your Timid Notion 10
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