INSTAL 06
The 2006 INSTAL festival saw a broad selection of artists that included Blood Stereo and Ludo Mich, Ellen Fullman and Sean Meehan, Keiji Haino and Tony Conrad and a specially created performance by Maryanne Amacher.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
The 2006 INSTAL festival saw a broad selection of artists that included Blood Stereo and Ludo Mich, Ellen Fullman and Sean Meehan, Keiji Haino and Tony Conrad and a specially created performance by Maryanne Amacher.
A tour with John Butcher and Akio Suzuki that set out to allow the audience to experience (and to listen to) the enviroment around them in different way.
Chris Corsano, Akio Suzuki and John Butcher performing in the Hamilton Mausoleum, Hamilton.
What does it mean to listen with the mind as well as the ears? A solo performance from the great avant-garde pianist.
A dance party love letter to our community, expressing the joy of relation in the abstract and through actual physical proximity.
Paper Piece: Secrets is a performance for and with the whole audience, using paper, text, secrets, being in the crowd
A cast of pioneering and provocative spirits who exist outside the mainstream, between borders and definitions; a series of events that each explore different aspects of music that doesn’t quite fit any given category. INSTAL 08 included the Self-Cancellation project.
Avant-wrongdoers Blood Stereo performing in Garthamlock the town spawned them.
Profound mathematical ideas for romantics, to help us linger in the difference we share.
What would a world and an ethics look like free from the destructive consequences of the Western mind?
Investigate film as language, via the language of film reduced to the basic units of film and language. A film as text in which each frame is a single word.
A performed installation by one of Germany’s most interesting visual artists, based on edited transcripts of the 1961 trial of Adolf Eichmann in Jerusalem and the writings of Hannah Arendt