16 May 2010
FACT
Craig Dworkin
Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?
UNINSTAL
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
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15 October 2006
The Arches
Maryanne Amacher
Maryanne Amacher
A rare live performance which, although not a full installation, made use of the unique acoustic and spatial properties of the Arches to rattle the audience and help it locate its third ear.
INSTAL 06
9 December 2001
The Arches
Rhomboi
Rhomboi
Ex Ganger guitarist’s solo performance for guitar and fx, featuring breathless processed guitar, complex in structure and melody.
INSTAL 01
16 – 17 October 2004
The Arches
INSTAL 04
Now a two day festival, INSTAL 04 was borne of a desire to open eyes, challenge audiences and expand musical horizons. This was also the year in which a certain representative from Corwood Industries made his first ever live appearance.
14 May 2010
Tramway
Used Sound
Jean-Luc Guionnet Ray Brassier Seijiro Murayama
A full-blooded, emotional attempt to reinvigorate improvisation from a musically inclined philosopher and two philosophically inclined improvisers.
UNINSTAL
26 May 2013
Tramway
We have something to say about… Pt2
Emma Hedditch Frank Roberts Michael Roberson Pony Zion Robert Sember Terre Thaemlitz Vjuan Allure Vogue’ology
A historical narrative of the black and latino/a transgender, bisexual, lesbian, and gay House and Ballroom Scene in relation to its artistic practices.
Episode 5:
Hidden in Plain Sight
28 February 2010
DCA
Taku Unami
Taku Unami
Taku’s actions strip back musical performance to one of its original proposals: what is an action and how does it create a situation for spending time together, for paying attention?
Kill Your Timid Notion 10
15 November 2024
Tramway
Live Stream
Subversive Strategies in Sound and Music
Rashad Becker Sunik Kim
A chat with Rashad about the communist, conceptual methodology that informs his ground-breaking synthetic music—a form of speculative sonic fiction writing to produce hyperreal non-representational auditive experiences.
Episode 11: To End the World As We Know It
12 May 2007
The Sage Gateshead
Sanjah: Kan Mikami, Masayoshi Urabe & Toshiaki Ishizuka
Kan Mikami Masayoshi Urabe Toshiaki Ishizuka
HEAVY Japanese super group, featuring the sundown delta blues of Kan Mikami, Toshi Ishizuka’s heavy, time folding drumming and Masayoshi Urabe on sax, harmonica and chains.
Music Lover’s Field Companion 07
9 December 2001
The Arches
Icebreaker International
Icebreaker International
An audio report for the NATOarts board of directors that seeks to promote global security and stability through the exhibition of works of conceptual art.
INSTAL 01
2 – 6 May 2012
Whitney Museum of American Art
A survey is a process of listening
A performative survey of listening, as we managed to find it being used as a tool in different practices, disciplines and communities in North America (music, poetry, film, philosophy, activism…).
6 May 2012
Whitney Museum of American Art
Dr. Mabuse dispassionately recites communist theory over found footage of riots
Evan Calder Williams
A bodiless treatise on narration, bored speakers, audience misbehaviour and police megaphones, but: is anybody listening?
A survey is a process of listening