Eject & No Disc
Matthieu Saladin
French improviser, composer, writer & musical thinker of dry humour and elegant clarity. Sly conjurer of music from the unconsidered processes of music making.
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French improviser, composer, writer & musical thinker of dry humour and elegant clarity. Sly conjurer of music from the unconsidered processes of music making.
Come for the crip ingenuity; stay for the smooth feels of what it is to be each other’s everything.
Seven women recite monologues composed from texts from the vibrant years of the Weimar Republic. A kind of cultural echo: an experience of histories brought to the present.
A guitar solo of frugal wringing, of notes in the dark, an attitude of making everything count.
Miniscule free-noise hissy-fits and broken instrument scrape/ squeal jams from the fools what brought you Giant Tank.
Christian Bök‘s work spans thrillingly conceptual poetry to body-shaking vocal performances.
A celebration of our overabundant social entanglement and complicity, that remind us of how we can see ourselves, stripped of powers’ attempts to grasp us.
A panel exploring how to dismantle the master’s house — its material edifices and ideological architecture — and the construction of abolitionist futures in the present.
Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?
Renouncing the bind of the written word, Chopin’s sound poetry is a magical evocation of the pure powers of the voices, stripped bare of language.
A series of three short performed situations and statements to be examined or judged from the most interesting young musician in Glasgow (we think).
An improvisation that may or may not involve (typical) improvisation.