13 October 2006
The Arches
Oshiri Penpenz
Oshiri Penpenz
No Wave, damaged garage jams and crazed instant vocal shrieks.
INSTAL 06
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Suggested Searches
16 October 2004
The Arches
Charlemagne Palestine
Charlemagne Palestine
An extravagant debauch of plush toys and ritual. Palestine performed a version of Strumming Music, a trance inducing investigation into overtone systems achievable on a Bosendorfer Imperial Piano.
INSTAL 04
22 March 2009
The Arches
Sean Meehan & Taku Unami
Sean Meehan Taku Unami
Sean and Taku share an interest in structure, space and time. A spartan, abstract, considered and surprisingly musical set.
INSTAL 09
12 July 2007
A concrete walkway ending in mid air
Shadowed Spaces Newcastle
Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood
A concrete walkway ending in mid air, a ridiculously tight squeeze between three office buildings and various other sites of Labour politician and council leader T. Dan Smith’s modernist regeneration projects and ‘slum clearances’ of the 1950’s and 60’s.
Shadowed Spaces
20 May 2005
The Sage Gateshead
MICRO 1
Takehisa Kosugi
MICRO 1 – Wrap a live microphone with a very large sheet of paper. Make a light bundle. Keep the microphone live for another 5 minutes. T. Kosugi – (1961)
Music Lover’s Field Companion 05
10 December 2004
DCA
Mirror with a film by Bill Morrison
Bill Morrison Mirror
Andrew Chalk & Christoph Heemann return with their diaphanous, impressionistic drone duo; their slowly evolving and enthralling works flutter and quiver with elegantly restrained, miniature sound events.
Kill Your Timid Notion 04
15 November 2024
Tramway
Live Stream
Subversive Strategies in Sound and Music
Rashad Becker Sunik Kim
A chat with Rashad about the communist, conceptual methodology that informs his ground-breaking synthetic music—a form of speculative sonic fiction writing to produce hyperreal non-representational auditive experiences.
Episode 11: To End the World As We Know It
16 November 2024
Tramway
Live Stream
Rehearsals for Living
Leanne Betasamosake Simpson Robyn Maynard Harry Josephine Giles
Reading their letters to each other, and chatting about prefigurative politics as the practice of relentlessly building worlds through unspeakable violence and loss; of building worlds and living in them anyway.
Episode 11: To End the World As We Know It
4 May 2012
Whitney Museum of American Art
Paramedia
Yasunao Tone
A dense, hard, immersive, chaotic spatial performance in sound: a momentary gap in consciousness, free of order or decision.
A survey is a process of listening
19 April 2013
Tramway
Fred Moten – Reading
Fred Moten
African American history, avant-garde jazz riffs and activism intertwine in experimental verse of extraordinary and affecting beauty that has to be heard.
Episode 4:
Freedom is a Constant Struggle
15 October 2006
The Arches
Arrington de Dionyso
Arrington de Dionyso
Solo performance on bass clarinet, jaw harp & voice by Arrington De Dionyso.
INSTAL 06
20 May 2005
The Sage Gateshead
The Secret of Music
Keiji Haino
Haino exceeds expectation with a 4 hour solo performance on a collection of more than forty instruments from all over the world.
Music Lover’s Field Companion 05