KYTN Salon: Post Consideration
Andrew Lampert Edwin Carels Eric La Casa John Harris Prof. Heike Sperling Zoe Irvine
Post consideration and post rationalisation… How do we think about experimental music and film after the performance?
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Post consideration and post rationalisation… How do we think about experimental music and film after the performance?
Akio Suzuki and John Butcher performing in a large multi chambered industrial ice house.
Haunted by the archive of the New Cross Fire, Jay Bernard presents a film and poetry reading that undertakes a queer exploration of black British history, reconstructed from archives and apparent debris.
Joe Colley specialises in hotwired sound constructions full of ominous electronic disturbances and caustic, noxious drones. For KYTN, Joe created a situation of controlled chaos with 50 light sensitive oscillators placed in a field of candles.
Long Stringed Instrument performance involving up to 100 wires strung in tension over a 40m arch.
Each of these films addresses place, landscape or location and the personal reaction to their magical or concrete properties. Watch out for Kren’s structural, throbbing investigation of a forest and Baillie’s intimate and humble essay on a blind guitarist and the relationship between songs of Mexican revolutionaries and the people and places they looked to inspire.
Moor Mother is a musician, Philadelphian housing activist and black quantum futurist.
Folk poet, actor and bon viveur Kan Mikami in duo with Jojo Hiroshige, a founding member of Japanese Noise band Hijokaidan.
African American history, avant-garde jazz riffs and activism intertwine in experimental verse of extraordinary and affecting beauty that has to be heard.
A cast of pioneering and provocative spirits who exist outside the mainstream, between borders and definitions; a series of events that each explore different aspects of music that doesn’t quite fit any given category. INSTAL 08 included the Self-Cancellation project.
Michael Colligan pressing white hot metal into dry ice, causing the metal to sing and scream.
Performing with hand built radio transmitters, which react to interference in the atmosphere and the electrical impedance of his hands, his radio art is a form of social practice; a statement in opposition to mass media.