I wanna be with you everywhere Solstice Gathering 2024
Summer Solstice hang out IRL and URL on 21 June
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Summer Solstice hang out IRL and URL on 21 June
Umeda is a Japanese artist who is as fascinated in setting up interesting situations to observe, as he is in creating performances.
Jarrod Fowler creates a social space where layered one-to-one live encounters with the audience become sonic material.
A beautifully crisp, slowly evolving duo for cello and projected images. Abstract but still figurative; change only noticeable after the fact.
2 days of online discussions and artists presentations exploring the cosmological, decolonial, sensorial practises of Black and Indigenous grass roots art, dance and music collectives in Brazil.
Dois dias de discussões e apresentações online de artistes explorando as práticas cosmológicas, decoloniais e sensoriais de coletivoas de arte, dança e música de base negra e indígena no Brasil.
A drone installation populated by flourescent strip lights working in complicity with analogue radios – “all the lights just do their thing”.
Cardboard boxes, metal guitar, critical homage, attempts to describe things you can’t describe. A one-man Grand Guignol school play.
Freeform Super 8mm documentation of Sunday at Instal 06 by filmmaker Matt Hulse.
The films in the programme take the essential and fundamental building blocks of cinema (combining sound and image through time) screw about with them, interrogate them and cast them anew.
A performed reflection on Malin’s previous re-enacting of a super influential landmark of performance art from the French feminist and artist Gina Pane.
Sometimes delicate, sometimes harsh and jarring, Yagi’s koto solos are as much inspired by Nancarrow or Cage as they are traditional.
Post consideration and post rationalisation… How do we think about experimental music and film after the performance?