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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Takehisa Kosugi bowing a violin between two screens showing waves
21 May 2005
The Sage Gateshead

Catch-Wave ’05

Takehisa Kosugi

A new interpretation of Kosugi’s Catch-Wave, producing a cloud of fluctuating, hypnotic drones, in front of a backdrop of projected waves.

Music Lover’s Field Companion 05
Kiyoharu Kuwayama holding blocks of dry ice to a hot metal plate
14 October 2006
The Arches

Lethe

Kiyoharu Kuwayama

A performance for dry ice and four specially constructed steel tables, each one heated by a single candle until searingly hot.

INSTAL 06
Black and white photo of Argyll taken from event poster
4 September 2007
Various

Half-Life

Angharad Davies Lee Patterson Luke Fowler Rhodri Davies Toshiya Tsunoda

NVA asked Arika to curate and programme the sound aspects of their 2007 Half-Life production in Kilmartin Glen. Arika worked with Toshiya Tsunoda, Lee Patterson, Rhodri Davies and Angharad Davies.

Tens of strips of 16mm film, visible are hundreds of frames, black or white
12 December 2004
DCA

Film Programme 5: Form

Thomas Köner Tony Conrad Various Artists alva.noto

Reveling in the geometric, mathematical and perceptual relationship between sound and form, this programme features a landmark work of experimental film in Kubelka’s Arnulf Rainer; a complex, enduring and expressive of structuralist or flicker films.

Kill Your Timid Notion 04
John Butcher and Michael Moser playing saxophone and cello at MLFC 07
12 May 2007
The Sage Gateshead

Polwechsel

Burkhard Beins John Butcher Martin Brandlmayr Michael Moser Werner Dafeldecker

With a signature spartan sound and long term preoccupation in structural tactics (subtle shifts in density, drawn out stasis) Polwechsel blur the boundaries between individual instruments.

Music Lover’s Field Companion 07
16 August 2026, 10:00

Tell Me About It

Scotland for Decrim

Tell Me About It creates a space for direct one-to-one conversations with people who habitually find others (filmmakers, politicians, journalists) speaking on their behalf… In partnership with Edinburgh Art Festival.

From a flat roof top, a pigeon flys to the right. on the roof are metal canisters weighted with brick, metal poles and frames and wires. In the distance we see the blurred outline of a city located in a dry desert like landscape.
17 November 2024
Tramway Live Stream

Toward Nakba as a Planetary Process

Anti-Denialist Museum of Palestine Ayreen Anastas Rene Gabri Houria Bouteldja Avery F. Gordon Amirah Silmi Françoise Vergès Additional Contributors

An assembly to try and provide some experiential and theoretical resources for the renewal of a certain affective, extra-political sociality, in the face of one of our great adversaries; the forces of colonial, imperial, genocidal denial.

Episode 11: To End the World As We Know It
A projected quotation about wandering in hollows and dark thoughts
26 February 2012
Tramway

All the Colours of the Dark, Except Black

Evan Calder Williams

A chat, with examples (Zola, H. P. Lovecraft, Hammer Horror), about blackness and the sheer stupid thickness of what has no profundity whatsoever.

Episode 2: A Special Form of Darkness
Bhob Rainey and Greg Kelly playing saxophone and trumpet
22 May 2005
The Sage Gateshead

Nmperign

Nmperign

Boston duo of saxophonist Bhob Rainey and trumpeter Greg Kelley approach their improvisations with a slew if extended techniques and pregnant silences.

Music Lover’s Field Companion 05
Three people hold a banner: "Rights Not Rescue Our Choice"
21 April 2017
Kinning Park Complex

Party & Performances

Marianne Chargois MC Ray St. Ray Sex Workers’ Opera

A party and fundraiser to support Sex Workers’ struggles and LGBT Unity with music and performances from the sex workers’ community and allies, plus DJ’s and dancing.

Sex Workers’ Festival of Resistance
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