Twenty Looks or Paris is Burning at The Judson Church (S)
Trajal Harrell
A meditation on how all of us perform — sometimes reinforcing, sometimes subverting — the shifting categories of gender, sexuality and race.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A meditation on how all of us perform — sometimes reinforcing, sometimes subverting — the shifting categories of gender, sexuality and race.
For day one of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by George E. Lewis.
How do grassroots feminist organisations strategise relationships between mothers, parents, carers and their children based on respect and empowerment, in resistance to the practice of putting children in often the most uncaring of places – care.
Individual experience separated by physical boundaries (of space, time or ability) suggested as communities of collective experience by (perhaps voyeuristic) artists.
This event honoured those individuals who achieved the status of Icon during the period of 1986-1990.
Paper Piece: Secrets is a performance for and with the whole audience, using paper, text, secrets, being in the crowd
A collaborative performance where sound and image are created, performed and mediated by light, water and glass.
Includes: a £20 note, stock fluctuations, an examination of words in the video medium, a linguistic challenge for your mind, a frame by frame dissection 50 words, shop front poetry, image and language head to head and newspapers under the microscope.
Freeform Super 8mm documentation of Friday at Instal 06 by filmmaker Matt Hulse.
One of the most arresting and unique improvisers in Japan, creating an original and powerful body of free music.
Chip will read some of his great literary pornography, which pushes sexuality to the point of extremity and exhaustion.
A dialogical meeting of Baraka’s radical poetry and Grimes’ free jazz syncopation.