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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A group of people on a stage, they move quickly. One has their hands in the air
22 October 2016
Tramway

[b]reach: The Fugitive Chronicles – an open rehearsal

Gallery of the Streets Glasgow Open Dance School Kai Lumumba Barrow

The ongoing development of [b]reach, an abolitionist black queer retelling of Marge Piercy’s incredible feminist utopian novel Woman on the Edge of Time.

Episode 8: Refuse Powers’ Grasp
Takehisa Kosugi bowing a violin between two screens showing waves
21 May 2005
The Sage Gateshead

Catch-Wave ’05

Takehisa Kosugi

A new interpretation of Kosugi’s Catch-Wave, producing a cloud of fluctuating, hypnotic drones, in front of a backdrop of projected waves.

Music Lover’s Field Companion 05
Two legs wearing black high heeled boots stick up above the edge of dark stage
18 November 2017
Tramway

Moved by the Motion

boychild TOTAL FREEDOM Wu Tsang

Sci-fi. After the club. Underground. Counter-narrative. Narrated movement. Cultural resistance. Wu Tsang and boychild’s collaborative performance series, will continue its evolution at Episode 9 with the addition of TOTAL FREEDOM.

Episode 9: Other Worlds Already Exist
Image with the words: Paragon Ensemble
9 December 2001
The Arches

Paragon Ensemble

Paragon Ensemble

The program of composed music including Feldman’s Instruments III, Ligeti’s piece for 100 Metronomes Poeme Sympathetique, and Rebonds B by Iannis Xenakis.

INSTAL 01
Craig Dworkin standing by a microphone giving a talk
16 May 2010

FACT

Craig Dworkin

Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?

UNINSTAL
Arika_Instal08_BryonyMcIntyre_TM - Incapacitants 467
15 February 2008
Stereo

Incapacitants

Incapacitants Junko Kazuo Imai

Ecstatic, scalding and ludicrously heavy, nobody matches Incapacitants for live noise energy. One of the most exhilarating live acts in underground music.

INSTAL 08
Projection of Epileptic Seizure Comparison (1976) in a corner of DCA Dundee
19 September – 12 October 2008
DCA

Epileptic Seizure Comparison (1976)

Paul Sharits

Paul Sharits one of the great experimental, sometimes called structuralist / materialist, filmmakers of the 20th Century.

Kill Your Timid Notion 08
Francisco Lopez wearing a hat at INSTAL 02
1 December 2002
The Arches

Francisco Lopez

Deliberately blurred drones, absent of definite structure or rhythm, framed in silence and devoid of any distraction from the pure matter of sound.

INSTAL 02
Tony conrad bowing a violin in the foreground, Keiji Haino singing behind
14 October 2006
The Arches

Keiji Haino & Tony Conrad

Keiji Haino Tony Conrad

Although Tony had visited Haino in Japan, and they played together in private, this was the first time anyone other that Haino’s cat saw them perform together.

INSTAL 06
Alice is centre stage in her manual wheelchair, arms raised, crutches extended
13 April 2019
Performance Space New York

Where Good Souls Fear

Alice Sheppard

An occasion for commotion, and a chorus of motions. Choreography rotating your revolutions and then some.

I wanna be with you everywhere
Projection of a pink and gold form above a man operating another projector
12 December 2004
DCA

La Cellule d’Intervention Metamkine

Metamkine

Adamantly analogue, inspiring and frequently chaotic in performance, Metamkine draw no distinction between image and sound; during their intuitively improvised performances music and images are created simultaneously and equitably.

Kill Your Timid Notion 04
Jandek performing on stage at Anthology Film Archives NY 05
6 September 2005
Anthology Film Archives, New York 05

Anthology Film Archives, New York 05

Alan Licht Chris Corsano Jandek Loren Mazzacane Connors MV & EE Matt Heyner

Performances at Anthology Film Archives NY by Jandek, Loren Mazzacane Connors & Alan Licht, and MV & EE.

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