Overheard (Performance Part 1) and Festival Introduction
Resonance Radio Orchestra
The first performative part in a game of chance and endurance as actor Tam Dean Burn constantly broadcasts for 24hrs.
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The first performative part in a game of chance and endurance as actor Tam Dean Burn constantly broadcasts for 24hrs.
ACCESS: SOUND FILE A day-long salon accompanying KYTN focusing on sound art.
“The miracle of Herman Melville is this: that a hundred years ago in Moby Dick…he painted a picture of the world in which we live, which is to this day unsurpassed.” – C. L. R. James
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
Chip will read some of his great literary pornography, which pushes sexuality to the point of extremity and exhaustion.
A kind of audience activating, structured film guessing game in the manipulation of time, sound and image. “At 11:15, weiners. At 21:05, pornography. At 23:30, a duet. Watch the Clock.”
Opening with one of the most memorable shots ever filmed, and screened a year after the initial successes of the 2011 Egyptian revolution, Too Soon, Too Late is a search for the traces left on the landscape of past revolutions in France and Egypt.
A workshop for educators, activists and young people to think about radical, anti-imperialist pedagogy, and what fighting for the Palestinian cause looks like for young people in the imperial core. PDF of the resource available soon.
Torrential, wrenching wordless wails, guttural screams and roars, a Haino solo vocal performance.
One of the most arresting and unique improvisers in Japan, creating an original and powerful body of free music.
An excavation of the 1805 Lock Hospital in Glasgow. Its official function was to support ‘unfortunate females with venereal disease’, but really what happened was that women and girls were marched in, experimented on, and often never released.
How do communities practice being one another’s means, addressing their material problems facing them replicating the state’s violent logic of who is disposable.