21 June 2023
Break/Open Meetup time*
Take a break and/ or hang in an Open Meet Up in IRL and URL
I wanna be with you everywhere 2023
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
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22 January 2012
CCA
Data as Documentary: Graham Harwood
Graham Harwood
Databases carry the same seeds of creativity that early documentary makers saw in film. Both can empower people by helping them to master information, both can be claimed to represent some kind of reality or truth.
Episode 1:
A Film is a Statement
4 May 2012
Whitney Museum of American Art
Is a survey a process of listening?
Barry Esson Jay Sanders
A short chat about what we (Arika) might be trying to do with our program for the Biennial.
A survey is a process of listening
15 April 2007
DCA
Film Programme 4: Beyond Image
Various Artists
Includes: a classic of innovative computer graphics, ex-pat Scot McLaren on form, a riotous psychedelic oil show with a Soft Machine accompaniment, subtle manipulation of data feedback, a colourful road movie and a reworking of a lost Paul Sharits film.
Kill Your Timid Notion 07
26 February 2012
Tramway
Cosmic Pessimism
Eugene Thacker
A chat with Eugene Thacker. Can we rethink the world as unthinkable, and without us?
Episode 2:
A Special Form of Darkness
21 April 2013
Tramway
Fred Moten – Chat
Fred Moten
In many ways, this Episode is our attempt to engage with Fred’s incredible writing: with his proposal that all black performance (culture, politics, sexuality, identity, and blackness itself) is improvisation.
Episode 4:
Freedom is a Constant Struggle
11 December 2004
DCA
Film Programme 2: Celluloid
Bill Morrison Guy Sherwin Jürgen Reble Thomas Köner Various Artists William Basinski
Each film in this programme celebrates process; the decay of emulsion, the properties of dust and dirt, the manipulation of time. Post the dawn of the digital age, we reflect on our love of the film form, celluloid as an object, a medium and a physical entity.
Kill Your Timid Notion 04
12 October 2008
DCA
Film Programme: Sonic Landscapes
Various Artists
Can a musician create a sonic photograph; something with a depth of field, where you can hear sounds and their interconnections, much as you see objects and their relationships in a photo? Could a filmmaker use musical concepts to represent landscape?
Kill Your Timid Notion 08
29 November 2008
BFI Southbank
CCA
About Face
Various Artists Paul Sharits
This programme takes human subjects as the focus for sound and image construction. And it includes a couple of masterpieces of experimental film: Paul Sharits’ deeply empathetic interpretation of epilepsy and Peter Kubelka’s Webern inspired abstract portrait of Arnulf Rainer.
14 October 2006
The Arches
Lethe
Kiyoharu Kuwayama
A performance for dry ice and four specially constructed steel tables, each one heated by a single candle until searingly hot.
INSTAL 06
3 May 2012
Whitney Museum of American Art
The Indivisible or Inadmissable Committee
When one calls a strike, who hears the call, who attunes and listens to it? How to listen to the call of a strike? What prevents one from hearing this call or stops one from listening to it?
A survey is a process of listening
23 October 2016
Tramway
Prefiguring the World We Want to Live In
Che Gossett Kai Lumumba Barrow Miss Major Tourmaline
How do communities practice being one another’s means, addressing their material problems facing them replicating the state’s violent logic of who is disposable.
Episode 8:
Refuse Powers’ Grasp