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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Man in Black clothes standing next to two microphones, staring out
12 November 2010
Tramway

Object of Thought

Mattin

A solo improvisation using just the situation of the concert: a space, a PA, Mattin’s own thoughts, you, the audience.

INSTAL 10
arika_ep7_IMG_4786
17 April 2015
Tramway

Poethical Readings/Intuiting the Political

Denise Ferreira da Silva Valentina Desideri

Three intimate 45 minute sessions, readings of your political questions – using Tarot, Palmistry, Reiki, Astrology, and Philosophy, and the invented methods of Fake and Political Therapy.

Black background with outlines of map contour lines in blue
20 – 29 June 2006
Various

Resonant Spaces

A tour with John Butcher and Akio Suzuki that set out to allow the audience to experience (and to listen to) the enviroment around them in different way.

A circle of light from a projector circles audience members
12 December 2004
DCA

Sachiko M & Anthony McCall

Anthony McCall Sachiko M

Film and sound stripped of ‘content’ and experienced spatially, to be looked at not on the screen but in the space of the gallery

Kill Your Timid Notion 04
Rauhan Orkesteri performing on stage at INSTAL 05, bare feet, woolen hats
15 October 2005
The Arches

Rauhan Orkesteri

Rauhan Orkesteri

Captures the creak and rustle of the forest, with an exhilarating tension let loose in unconfined maniacal and bare-knuckle group thinking.

INSTAL 05
A diagram representing a tarot reading with lines and writing
16 April 2015
Tramway

Poethical Readings/Intuiting the Political

Denise Ferreira da Silva Valentina Desideri

Four intimate 45 minute sessions, readings of your political questions – using Tarot, Palmistry, Reiki, Astrology, and Philosophy, and the invented methods of Fake and Political Therapy.

Episode 7: We Can’t Live Without Our Lives
Jo Jo plays a guitar with equipment visible & knees bent
14 October 2005
The Arches

JOJO Hiroshige

JO JO Hiroshige

A fulcrum to the Japanese noise scene, JOJO Hiroshige has been responsible for much of the explosion of free music coming from Japan in the last 30 years.

INSTAL 05
Northern Sinfonia performing Radu Malfatti at MLFC 07
12 May 2007
The Sage Gateshead

Gateshead 21

Northern Sinfonia Radu Malfatti

We commissioned Radu Malfatti to write a new piece for the 21-piece string section of the Northern Sinfonia: Music striving to discover the exact point at which sound resonates the clearest amidst long drawn out silences.

Music Lover’s Field Companion 07
Rhodri Davies plays two suspended deconstructed weathered harps
15 February 2008
The Arches

Self Cancellation – Seed Burn / adh

Lee Patterson Rhodri Davies

Rhodri Davies plays two deconstructed harps. Lee Patterson examines the sonic properties of burning nuts.

INSTAL 08
Joshua Allen speaks to participants at a workshop
22 October 2016
Tramway

#BlackExcellenceTour

CeCe McDonald Joshua Allen

A collaborative social justice project that uses art, activism and awareness to combat the systemic oppression facing young, trans, queer & gender nonconforming people of colour.

Episode 8: Refuse Powers’ Grasp
A black and while still of a photograph of a man melting on a stove
11 October 2008
DCA

Film Programme: Sets

Christof Migone Various Artists Hollis Frampton

A programme that looks at how sound and image can be treated as variants in a collection of ordered objects; at how to create meaning from the similar, and to notice difference.

Kill Your Timid Notion 08
"Episode 11: To End the Worlds As We Know It" title superimposed in white & red text on top of a blue back ground with a dark navy circle that looks like ripped paper.
13 – 17 November 2024
Tramway Glasgow School of Art

Episode 11: To End the World As We Know It

5 days of film, music, discussion and study of our collective incompleteness—arrayed against the colonial ordering of how we come to know the world—practicing how we might exist otherwise, right here and now. Can we start to know and practice the world to come?

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