Arika  Archive Menu
Accessibility Settings

text size

colour options

monochrome muted color dark

reading tools

isolation ruler

Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

Filter the Archive
Suggested Searches

All Archive (704)

Order by
Packing tubes stand on their ends. two blurred figures are sitting in the back
12 November 2010
Tramway

The Borders Play Sunno(((

Christian Kesten Lucio Capece

Intriguing, underground, Berlin based musicians interested in the borders between music and theatre, language, the visual arts, politics.

INSTAL 10
Kan Mikami & JO JO Hiroshige playing guitars and singing at MLFC 07
11 May 2007
The Sage Gateshead

Kan Mikami & JO JO Hiroshige

JO JO Hiroshige Kan Mikami

Folk poet, actor and bon viveur Kan Mikami in duo with Jojo Hiroshige, a founding member of Japanese Noise band Hijokaidan.

Music Lover’s Field Companion 07
Junko singing into a microphone & Masayoshi Urabe playing a saxophone
13 May 2007
The Sage Gateshead

Junko & Masayoshi Urabe

Junko Masayoshi Urabe

Junko’s screaming vocal in a nuanced, piercing duo with Urabe’s fuming and convulsive saxophone, far removed from the codes of musical tradition.

Music Lover’s Field Companion 07
A performer plays instruments in a suitcase on a subway carriage
7 February 2008
The Arches

Personal Space

Nackt Insecten

Where we join Nackt Insecten’s disembodied spectral howls and heavyweight locomotive drones about SPT’s Subway.

INSTAL 08
2. Poster print image with the caption “capitalism also depends on domestic labour” and an illustration of a factory production line, but instead of factory work, the activity on the production line depicts women undertaking domestic labour, caring for the factory worker at home, in-between leaving and entering the factory.
13 March 2022
Online

Frequency of Touch: the Making of Motherhood

Helen Charman Margaret Salmon

This session focuses in on the defiant mutual aid practices of early and DIY feminist movements in the UK, that attempted to shift and radicalise care and kinship away from the domain of the nuclear family.

Mutual Aid
A man holding a flying v guitar above his head
14 October 2005
The Arches

Black Boned Angel

Black Boned Angel

Black Boned Angel’s is a rock sound, stripped of all extraneous detail right down to its core, stretched out and nailed to the ceiling.

INSTAL 05
A jagged bluff of rocks juts out into a grey and moody sea as waves lap at shore
20 November 2019
Tramway

4 Waters: Deep Implicancy

Arjuna Neuman Denise Ferreira da Silva

What would a world and an ethics look like free from the destructive consequences of the Western mind?

Episode 10: A Means Without End
16 November 2024
Tramway

The We of revolutionary love

Houria Bouteldja

The practice of North African Indigenous revolutionary love, in the face of European capitalist violence and settler colonialism, with one of the most vital anti-colonial thinkers in Europe.

Episode 11: To End the World As We Know It
A woman bends over with a stick, in the background a man is hitting a gong
21 March 2009
The Arches

Ki: Mico, Tamio Shiraishi & Fritz Welch

Fritz Welch Mico Tamio Shiraishi

A trio of Tamio’s screaming and immovable slabs of sound; Mico’s dance/ performance/ piano; Fritz’s absurd, flailing percussion/ voice.

INSTAL 09
A bare chested man with a bandana of their face writhes on a floor with a torch
16 February 2008
Stereo

KMVSNI

KMVSNI

Kylie Minoise Vs Nackt Insecten feedback/ vocal physical threat ‘vs’ ecstatic electronic cloudbursts

INSTAL 08
Fritz Welch and Neil Davidson playing a string quartet on drums and guitar
13 November 2010
Tramway

String Quartet

Neil Davidson

Three different performances variously featuring: Fritz Welch, loud drums, guitar, local collaborators, paper, memories, Roland Barthes, string quartets

INSTAL 10
William Basinski in shirt and tie, blue screen behind, gold table to the fore
16 October 2004
The Arches

William Basinski

William Basinski

Improvising using nothing so much as the passage of time as his instrument, Basinski creates works of great melancholic depth and fragile beauty.

INSTAL 04
?
This site uses cookies for analytics. See our Privacy Policy for more. OK Opt out
×