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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Three figures are silhouetted by a large window in the shape of a parallelogram
4 May 2012
Whitney Museum of American Art

Is a survey a process of listening?

Barry Esson Jay Sanders

A short chat about what we (Arika) might be trying to do with our program for the Biennial.

A survey is a process of listening
Still from animated film ‘shit’s totally fucked! What can we do? A mutual aid explainer’ – text and illustrations on paper and wood, that spells out “something really important about all this is that Mutual Aid is not Charity”
9 March 2022

Mutual Aid on the Road to Abolition

Dean Spade Abolitionist Futures

How do we make the connections between the mutual aid practices of our daily lives and anti-capitalist efforts to dismantle wider systems of exploitation?

Mutual Aid
Projection of a purple toned image onto a wall
19 February 2006
DCA

Jennifer Reeves & Anthony Burr

Anthony Burr Jennifer Reeves

An immersive live performance for multiple 16mm film and bass clarinet, taking in the whole gallery, submerging the audience.

Kill Your Timid Notion 06
A man with a torch looking at a mixing board
13 November 2010
Tramway

N30: Live at the WTO

Christopher DeLaurenti

N30 is a massive, dynamic, immersive multi-channel presentation of front-line field recordings from the protest against the WTO in Seattle

INSTAL 10
Kan Mikami & JO JO Hiroshige playing guitars and singing at MLFC 07
11 May 2007
The Sage Gateshead

Kan Mikami & JO JO Hiroshige

JO JO Hiroshige Kan Mikami

Folk poet, actor and bon viveur Kan Mikami in duo with Jojo Hiroshige, a founding member of Japanese Noise band Hijokaidan.

Music Lover’s Field Companion 07
A film frames has the words "Scene Missing" displayed
25 February 2010
DCA

Standard Gauge & ()

Morgan Fisher

A double bill of Morgan Fisher films that ask what can be achieved by a simple structural method of commenting on scraps of 35mm film, re-shot on 16mm film and what happens to meaning (if anything) when ‘insert shots’ are relieved of their original duty of providing crucial plot development for a variety of other movies?

Kill Your Timid Notion 10
Steffen Basho-Junghans backstage standing by a wall
17 October 2004
The Arches

Steffen Basho-Junghans

Steffen Basho-Junghans

Repetitive, mesmerizing rhythmic workouts, to pieces of stark and rigorous introspection, where notes picked and slid in isolation, scatter like mercury around the listener.

INSTAL 04
Howard Slater is in conversation at a table with Barry Esson in a black room
21 April 2013
Tramway

Listener as Operator

Howard Slater

Our favourite Lancashire-born autodictact asks what’s political about the tension between the individual and the collective in free jazz.

Episode 4: Freedom is a Constant Struggle
A man sits at a desk with a large timer clock on it and speaks to camera
28 February 2010
DCA

Morgan Fisher – Screening and Chat

Morgan Fisher

Morgan Fisher is a filmmaker of great wit and charm who uses the tools of experimental film to dissect the basic presuppositions of commercial cinema.

Kill Your Timid Notion 10
A white star painted on a black oil tank or similar metal container
21 June 2006
Lyness Oil Tank

Lyness Oil Tank

Akio Suzuki John Butcher

Akio Suzuki and John Butcher performing in an abandoned oil tanker on Hoy.

Resonant Spaces
Nikos and Rhordi wood chipping a cello near a projector
17 – 22 March 2009
The Arches

World Music Documentary

Eva-Maria Houben Fritz Welch Hermann Nitsch Jean-Luc Guionnet Jean-Philippe Gross Jerome Noetinger Joan La Barbara Klaus Filip Michael Pisaro Mico Nikos Veliotis Otomo Yoshihide Phil Minton Radu Malfatti Rhodri Davies Sachiko M Sean Meehan Seymour Wright Steve McCaffery Taku Unami Tamio Shiraishi Tetsuo Kogawa Toshimaru Nakamura

Greek TV company Onos Productions came to INSTAL 09 to document the festival and report on Nikos Veliotis’ Cello Powder performance.

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