Prisoner Solidarity in Practice
Prisoner Solidarity Network Glasgow Prisoner Solidarity
How do people both inside and outside of prison work together to dismantle the criminal justice system and build a society based on collective care?
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
How do people both inside and outside of prison work together to dismantle the criminal justice system and build a society based on collective care?
How do we sense entanglement? Can the knotting of ropes according to a poem’s rhythm make the social pulse of language matter?
Quintessentially British, The Bohman Brothers’ music is a home-made and DIY conflux of some of the most virulent strains of experimental music.
A dialogical meeting of Baraka’s radical poetry and Grimes’ free jazz syncopation.
A Performance exploring the nature of acousmatic listening; sound removed from visual context and understood for it’s own properties.
Nina’s going to talk about November, by Hito Steyerl: what and how the film thinks, or about what and how it might makes us think (which is connected, but not the same thing), by watching, and it discussing (with you?).
Come for the crip ingenuity; stay for the smooth feels of what it is to be each other’s everything.
Jandek’s second ever live performance, and the first to be advertised in advance.
An open-ended moment in an ongoing series of films, notes, performances, diagrams and drawings which trace the questions they share. A “porous space between cinema time-space and lived time-space.”
A black hole of dense heaviosity, full of slow motion riffage, tectonic pummel and massive planet destroying rock.
Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.
What might Carter and Parker’s collaboration tell us about our own performances of responsibility and liberty, whether individual, social or musical?