Arika  Archive Menu
Accessibility Settings

text size

colour options

monochrome muted color dark

reading tools

isolation ruler

Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

Filter the Archive
Suggested Searches

All Archive (712)

Order by
Taku Unami looks moodily at a computer screen darkness all around
22 March 2009
The Arches

A Signature of the Room

Jean-Luc Guionnet Taku Unami

Simple maths and stringent scored instructions move precise frequencies and clicks to create a dense, fluctuating environment of standing waves and physical sound.

INSTAL 09
Portrait of Marc Baron in black and white
27 February 2010
DCA

Marc Baron

Marc Baron

Three speakers play back pre-recorded sounds, Marc listens and responds: “What is played is the imperfect witness of what I listen to (or maybe better, how I listen).”

Kill Your Timid Notion 10
Shadowed Spaces Tour brochure cover with names of artists
5 – 15 July 2007
Union Terrace Gardens Bell Street Car Park The old public library in Easterhouse A concrete walkway ending in mid air The Megastructure The former Abbeyhill Station

Shadowed Spaces

There exist places in our towns and cities that are created not by design, but by circumstance. Shadowed Spaces was a tour of overlooked, bypassed and unconsidered nooks and crannies with 3 musicians.

Publication, Nov 2024

IN OUR LIFETIME – A New Anti-Imperialist Resource

Hussein Mitha

IN OUR LIFETIME, is an anti-imperialist resource, edited by Hussein Mitha, produced by Arika for Episode 11, featuring poetry, essays, questions, prompts, letters and works of anti-colonial imaginary.

Episode 11: To End the World As We Know It
13 October 2006
The Arches

Infest – Wounded Knee

Wounded Knee

Cask-strength electrohypnol/ shroom damaged folk croonings by Lapsed Electronics empire builder responsible for recent Tremors blowouts.

INSTAL 06
Three performers on stage, two on electronics and one sings
15 February 2008
Stereo

Blood Stereo

Blood Stereo Heather Leigh Murray

Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.

INSTAL 08
text reading Decriminalised Futures on a colourful banner on a blue and purple background
31 August 2019 – 1 April 2023

Decriminalised Futures

Arika is working in partnership with Decriminalised Futures on a multi year collaboration featuring multiple creative projects exploring sex worker lives, experiences and movement struggles.

A B&W portrait of four members of TEST, all smiling
6 May 2012
Whitney Museum of American Art

TEST featuring Fred Moten

Daniel Carter Matt Heyner Sabir Mateen Tom Bruno Fred Moten

TEST is a collective creative improvising quartet based out of the NYC Underground (figuratively and literally). Their street-hardened, spatial Jazz is riotous and intense: is also makes us think about collective organization, and different ideas of responsibility and liberty.

A survey is a process of listening
Kan Mikami playing guitar and singing at INSTAL 04
17 October 2004
The Arches

Kan Mikami

Kan Mikami

A voice that can vault from an elegantly whispered insinuation to asphyxiated and murderous barks or squalls in a heartbeat.

INSTAL 04
A bare chested man with a bandana of their face writhes on a floor with a torch
16 February 2008
Stereo

KMVSNI

KMVSNI

Kylie Minoise Vs Nackt Insecten feedback/ vocal physical threat ‘vs’ ecstatic electronic cloudbursts

INSTAL 08
six red umbrellas on a white background
4 March 2018
MoMA PS1

Sex Workers’ Festival of Resistance NYC

For this day-long festival, sex workers and their allies from New York, the tri-state area, and Europe will gather at MoMA PS1 to debate, perform, dance, strategize & share knowledge.

arika_ep7_IMG_5802
18 April 2015
Tramway

Poethical Readings/Intuiting the Political

Denise Ferreira da Silva Valentina Desideri

A performed, open, public conversation about how we might think politics from the position of intuition, in which Denise and Valentina use un-reasonable tools to map out a hybrid poetical/ ethical reading of their own situations.

?
This site uses cookies for analytics. See our Privacy Policy for more. OK Opt out
×