Six Organs of Admittance
Six Organs of Admittance
Pitching Fahey inspired, eastern-infused folk vibrations, sad elliptical drones and oracle chants into one kaleidoscopic sound.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Pitching Fahey inspired, eastern-infused folk vibrations, sad elliptical drones and oracle chants into one kaleidoscopic sound.
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?
Noise music for the eyes. A 6 screen 16mm projection performance of intense audio and visual stimulus.
Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.
Using violin and cello the duo map out a twilight sonic world that seems to tread the faultlines between improvisation and composition.
What might Carter and Parker’s collaboration tell us about our own performances of responsibility and liberty, whether individual, social or musical?
Join Brian as he ruminates on the history of how experimental filmmakers and sound artists have drifted into and taken over galleries in order to show their work.
The reknowned artist Kjell Bjørgeengen works collaboratively with innovative musicians to make complex installations. Channels of flickering light are produced in response to and from sound.
A loud, buzzing stew of electrical light as noise and convulsive electric guitar squall.
Moor Mother is a musician, Philadelphian housing activist and black quantum futurist.
In this workshop we will imagine ourselves as time travellers from a glorious and chaotic neurodivergent-led future.
In Ramayya’s visionary poetry, the body assumes as many forms as love produces states: attraction and repulsion, excitement and exhaustion, selfishness and the dissolution of self.