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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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21 June 2023

Break/Open Meetup time*

Take a break and/ or hang in an Open Meet Up in IRL and URL

I wanna be with you everywhere 2023
Colorful leather bound books line a wooden shelf, with writing on their spine in Arabic, one booklet entitled “3 Scores and The People’s Mic Khutba” in Urdu, is slipping into the company of the books or out into the hands of a seeker.
14 November 2024
Tramway Live Stream

Bring a Witness

Sadia Shirazi Mezna Qato

Sadia Shirazi & Mezna Qato will discuss a series of scores that explore the texture and landscape of exile, resistance, and Muslim sociality. These instructional scores trouble the idea that art and activism are untouched by faith and faith is untouched by art and activism.

Episode 11: To End the World As We Know It
A man looks through camcorder viewfinder in the reflection in a mirror
21 February 2010
DCA

Hotel Diaries 1-8

John Smith

These simple, one-take videos, relate personal experiences to the current conflicts in the Middle East via the most basic of means (a hotel room, a camcorder, John’s personal thoughts, concerns and convictions).

Kill Your Timid Notion 10
Instal 10 poster with subtitle 'Braver New Musics'
12 – 14 November 2010
Tramway

INSTAL 10

The final iteration of Arika’s INSTAL festivals, the 2010 edition was an experimental festival of experimental music – 3 days of events at the Tramway that explored un-average ideas about sound and music.

Taku Unami looks moodily at a computer screen darkness all around
22 March 2009
The Arches

A Signature of the Room

Jean-Luc Guionnet Taku Unami

Simple maths and stringent scored instructions move precise frequencies and clicks to create a dense, fluctuating environment of standing waves and physical sound.

INSTAL 09
Kenny Goldsmith holds a microphone wearing a white spotted jumper
16 February 2008
The Arches

Translation

Achim Wollscheid Kenneth Goldsmith

Kenneth Goldsmith reads extracts of his conceptual poetry and Achim Wollscheid manipulates mobile phone signals.

INSTAL 08
Poster for Episode 8 Refuse Powers' Grasp
20 – 23 October 2016
Tramway The Art School

Episode 8: Refuse Powers’ Grasp

Over 3 days Episode 8 celebrates all the unruly ways we escape attempts to constrain us, tear down the walls of normative culture and build joy in flight.

Joshua Allen speaks to participants at a workshop
22 October 2016
Tramway

#BlackExcellenceTour

CeCe McDonald Joshua Allen

A collaborative social justice project that uses art, activism and awareness to combat the systemic oppression facing young, trans, queer & gender nonconforming people of colour.

Episode 8: Refuse Powers’ Grasp
A person sat in a car waving. There is a parade & their jacket is colourful
22 October 2016
Tramway

Miss Major in conversation with Eric A Stanley

Eric A Stanley Miss Major

A conversation of intergenerational trans-resistance and anti-racist fierceness between two of the most inspiring public speakers we know.

Episode 8: Refuse Powers’ Grasp
A flowering bush next to a fence in front of a clear blue sky
11 December 2004
DCA

Film Programme 3: Place

Various Artists Benedict Drew

Each of these films addresses place, landscape or location and the personal reaction to their magical or concrete properties. Watch out for Kren’s structural, throbbing investigation of a forest and Baillie’s intimate and humble essay on a blind guitarist and the relationship between songs of Mexican revolutionaries and the people and places they looked to inspire.

Kill Your Timid Notion 04
Nate is shown from the waist up, leaning against a fence, wearing a navy t-shirt
24 November 2019
Tramway

Nathaniel Mackey

Nathaniel Mackey

“Mackey composes realist-mythic layering of lyrical prose unlike anything being written today.” — New York Times. “Our greatest living epic poet…Mackey’s poetry and criticism have reinvented modernism for our time.”— LitHub

Episode 10: A Means Without End
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