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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Joe Kubera Kate Thompson David Murray Alan Fearon & Simon Passmore at MLFC 07
11 May 2007
The Sage Gateshead

Evil Nigger

Julius Eastman

Julius Eastman’s Evil Nigger for 4 pianos performed by Joe Kubera, Kate Thompson, David Murray, Alan Fearon and Simon Passmore.

Music Lover’s Field Companion 07
Two frames from a 16mm film with blocks of red, green, pink and yellow
29 November 2008
BFI Southbank CCA

About Face

Various Artists Paul Sharits

This programme takes human subjects as the focus for sound and image construction. And it includes a couple of masterpieces of experimental film: Paul Sharits’ deeply empathetic interpretation of epilepsy and Peter Kubelka’s Webern inspired abstract portrait of Arnulf Rainer.

arika_ep7_IMG_4786
17 April 2015
Tramway

Poethical Readings/Intuiting the Political

Denise Ferreira da Silva Valentina Desideri

Three intimate 45 minute sessions, readings of your political questions – using Tarot, Palmistry, Reiki, Astrology, and Philosophy, and the invented methods of Fake and Political Therapy.

A table with three microphones, chairs and named placards. The seats are empty
24 March 2012
Tramway

Combatant Status Review Tribunal

Andrea Geyer Ashley Hunt David Thorne Sharon Hayes Katya Sander

Somewhere between performance, stripped down theatre and an intense kind of public learning or maybe even a public hearing.

Episode 3: Copying without Copying
In Our Hands: radical approaches to health and collective care
Mondays, 10 March to 5 May, 6-9pm

In Our Hands 2025

In Our Hands is a nine week programme of workshops exploring radical approaches to health and collective care in the movement for liberation and social justice.

silmukka06
19 October 2003
DCA

Short Film Programme 2: Contemporary

Billy Roisz Various Artists William Basinski

The second of two short film programmes featuring works that blur the boundaries between music and film from artists who cross and redefine those long held divisions. This programme highlights contemporary works.

Kill Your Timid Notion 03
Kill Your Timid Notion 04 brochure cover
10 – 12 December 2004
DCA

Kill Your Timid Notion 04

A celebration of risk taking and adventure from some of the boldest pioneers of the past 40 years, melding avant garde and underground forms of music and moving image to create new experiments and experiences in sight and sound.

Guitar player silhouetted against projection of a film
11 December 2004
DCA

Text of Light and Films by Stan Brakhage

Alan Licht Lee Ranaldo Stan Brakhage Tim Barnes Ulrich Krieger

As opposed to suggesting soundtrack’s to Brakhage’s works [which are almost entirely silent] Text of Light use his works to stimulate improvisation, enveloping them into the structure of the group much like an additional musician.

Kill Your Timid Notion 04
A film still image is distorted, turning the image of a couple into liquid
11 December 2004
DCA

Film Programme 2: Celluloid

Bill Morrison Guy Sherwin Jürgen Reble Thomas Köner Various Artists William Basinski

Each film in this programme celebrates process; the decay of emulsion, the properties of dust and dirt, the manipulation of time. Post the dawn of the digital age, we reflect on our love of the film form, celluloid as an object, a medium and a physical entity.

Kill Your Timid Notion 04
Bhob Rainey, Jason Lescalleet & Greg Kelley backstage at INSTAL 06
13 October 2006
The Arches

Nmperign + Jason Lescalleet

Jason Lescalleet Nmperign

Music is full of refracted brass and wind tones, distorted tape loops, dead silent air and the occasional piercing shard of sound.

INSTAL 06
A film frames has the words "Scene Missing" displayed
25 February 2010
DCA

Standard Gauge & ()

Morgan Fisher

A double bill of Morgan Fisher films that ask what can be achieved by a simple structural method of commenting on scraps of 35mm film, re-shot on 16mm film and what happens to meaning (if anything) when ‘insert shots’ are relieved of their original duty of providing crucial plot development for a variety of other movies?

Kill Your Timid Notion 10
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