Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Andrew Chalk & Christoph Heemann return with their diaphanous, impressionistic drone duo; their slowly evolving and enthralling works flutter and quiver with elegantly restrained, miniature sound events.
Akio Suzuki and John Butcher performing in a large multi chambered industrial ice house.
The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.
A carefully thought out, simple but rich performance using just a turntable, teach yourself foreign language LP’s, the impeccable timing of a percussionist, and an idea.
A saxophone. Handheld fans. Shrill squeaks. Splutters, gargling. An incredible diversity of sounds, intensely focused by an inventive musician.
Power-electronic klutz behaviour indecipherable blasphemies, cuts, bruises and broken microphones by Kovorox Sound head-honcho Lea Cummings.
A concrete walkway ending in mid air, a ridiculously tight squeeze between three office buildings and various other sites of Labour politician and council leader T. Dan Smith’s modernist regeneration projects and ‘slum clearances’ of the 1950’s and 60’s.
Our favourite Lancashire-born autodictact asks what’s political about the tension between the individual and the collective in free jazz.
In this workshop we will imagine ourselves as time travellers from a glorious and chaotic neurodivergent-led future.
A performance for dry ice and four specially constructed steel tables, each one heated by a single candle until searingly hot.
Vanessa Place talks at The Friday Event series at the Glasgow School of Art about her practice as a writer.
A programme looking at landscape, filmic or architectural spaces and at how the fixed stare of a camera frame only captures so much reality; here we focus on how filmmakers structure our relationship with that reality and at how they relate it to or interpret it through sound.
