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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Beams of light fanning out across an audience from different directions
29 November 2008
BFI Southbank BFI IMAX ICA Spike Island Arnolfini CCA

Light Trap

Greg Pope Norbert Möslang

Out of a dark haze, shafts of light emerge, as the emulsion is scratched from the surface of the film. Simultaneously, out of the black silence, noise and audible scratches bloom into a bright drone.

Kill Your Timid Notion on Tour
Several tables covered in white paper have blue chairs around them.
5 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Fred Moten Ultra-red

For day four of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by Fred Moten.

A survey is a process of listening
Projection of a distorted signal in blues and greens on a wall
15 April 2007
DCA

AVVA

Billy Roisz Toshimaru Nakamura

AVVA sees the internal feedback of Toshi’s no-input mixing desk is fed to Billy, and transformed into bright and variegated patters, striations and blooming colour, before being fed back to Toshi and manipulated on route to the PA.

Kill Your Timid Notion 07
Steve Baczkowski and Ravi Padmanabha performing on stage
14 October 2006
The Arches

Steve Baczkowski and Ravi Padmanabha

Ravi Padmanabha Steve Baczkowski

Sax/Drums duo of raucous, pealing noise, and cries of beguiling lyricism, whispered sax phrases float in a timbral cloud of bowed metal and rumbling toms.

INSTAL 06
Jimmy Robert sits at the edge of a lit square on the floor, one leg bent up
26 May 2013
Tramway

Suspended closure, suspended

Jimmy Robert

When we look, how do we objectify the body; how can we reflect on our (self) image as a construction?

Episode 5: Hidden in Plain Sight
Kyoaku No Intention on stage at MLFC 05
22 May 2005
The Sage Gateshead

Kyoaku No Intention

Kyoaku No Intention

Munehiro Narita’s Kyoaku No Intention (Worst Intentions) fired out some of the most compelling no-wave improvised rock of the 80s.

Music Lover’s Field Companion 05
Jean Philippe Gross sitting at a small table covered in electronics
13 May 2007
The Sage Gateshead

Jean-Philippe Gross

Jean-Philippe Gross

Solo by Jean-Philippe Gross, a French electro-acoustic improviser, working with mixing board, cheap mics, small speakers and an analog synth, built around a honed interest in feedback.

Music Lover’s Field Companion 07
Image with the word: Defaalt
9 December 2001
The Arches

Defaalt

Defaalt

Glasgow based artist Defaalt invites the audience to collaborate fully in his performance by means of a generative graphical interface.

INSTAL 01
13 October 2006
The Arches

Infest – Kylie Minoise

Kylie Minoise

Power-electronic klutz behaviour indecipherable blasphemies, cuts, bruises and broken microphones by Kovorox Sound head-honcho Lea Cummings.

INSTAL 06
Ann Cvetkovich sitting at a table speaking into a microphone
26 May 2013
Tramway

Public Feelings

Ann Cvetkovich

The role of feelings in public life, (political) depression and creative survival.

Episode 5: Hidden in Plain Sight
Nikos and Rhordi wood chipping a cello near a projector
17 – 22 March 2009
The Arches

World Music Documentary

Eva-Maria Houben Fritz Welch Hermann Nitsch Jean-Luc Guionnet Jean-Philippe Gross Jerome Noetinger Joan La Barbara Klaus Filip Michael Pisaro Mico Nikos Veliotis Otomo Yoshihide Phil Minton Radu Malfatti Rhodri Davies Sachiko M Sean Meehan Seymour Wright Steve McCaffery Taku Unami Tamio Shiraishi Tetsuo Kogawa Toshimaru Nakamura

Greek TV company Onos Productions came to INSTAL 09 to document the festival and report on Nikos Veliotis’ Cello Powder performance.

Rashad Becker on stage, performing at a desk with sound and audio equipment. The background is dark and a pinkish red light highlights Rashad
17 November 2024
Tramway Live Stream

Based on a True Story – 1986

Rashad Becker

The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.

Episode 11: To End the World As We Know It
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