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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Loren and Alan playing electric guitars
16 October 2005
The Arches

Loren Mazzacane Connors & Alan Licht

Alan Licht Loren Mazzacane Connors

An utterly deep introspection told in aching, weeping guitar lines; melodic, simple, always minimal but somehow entirely epic.

INSTAL 05
Three performers on stage, two on electronics and one sings
15 February 2008
Stereo

Blood Stereo

Blood Stereo Heather Leigh Murray

Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.

INSTAL 08
A microphone wrapped in white paper on a mic stand on stage
20 May 2005
The Sage Gateshead

MICRO 1

Takehisa Kosugi

MICRO 1 – Wrap a live microphone with a very large sheet of paper. Make a light bundle. Keep the microphone live for another 5 minutes. T. Kosugi – (1961)

Music Lover’s Field Companion 05
Arika_Whitney_ASIAPOL_BrandonLaBelle-16
2 May 2012
Whitney Museum of American Art

Temporary outpost for an auditory figure

Brandon LaBelle

A temporary archive and research space tracing the ways in which sound and audition move through everyday life.

A survey is a process of listening
Kill Your Timid Notion 07 publicity flyer
3 – 15 April 2007
DCA

Kill Your Timid Notion 07

Investigating the border between the audible and the visible means looking at the margins, the edges of creativity where artists test out new boundaries and define them anew.

Two rectangular forms of white light against black on a screen
14 April 2007
DCA

Surface Tension

William Raban

Relative patterns of occlusion and exposure occupy two screens. Each exposure fires a stroboscopic flash of colour: yellow for one screen; blue for the other, filling the centre of both screens with colour, haloed with after-images.

Kill Your Timid Notion 07
Burkhard Stangl silhouetted against a projection of an eye
19 October 2003
DCA

Phonographics, Live

Burkhard Stangl Fennesz Gustav Deutsch Martin Siewert Werner Dafeldecker

A live installation of the ‘Film Ist’: projected on 4 huge screens and an improvised soundtrack from 4 figureheads of the Austrian experimental music scene.

Kill Your Timid Notion 03
A projection of a man holding his hands up to his face as a red line borders
18 February 2006
DCA

Christian Marclay’s Screen Play

John Butcher Paul Lovens Steve Beresford Christian Marclay

A silent collage of found film footage partially layered with computer graphics to provide a framework in which live music can develop.

Kill Your Timid Notion 06
We Can't Live Without Our Lives Poster Graphic
15 – 19 April 2015
Tramway

Episode 7: We Can’t Live Without Our Lives

In a moment of social exhaustion, we want to ask how we might care for each other differently. We Can’t Live Without Our Lives is a 5-day exploration of care as a form of struggle and resistance, with communities who embody it.

Pools of light show music stands holding large books
24 February 2012
Tramway

De Musicorum Infelicitate

Esther Ferrer Walter Marchetti

‘Ten Pieces in the Form of Painful Variations’ for piano, an impossible score that looks like a grapeshot musical stave, a text of barbed loathing and doubt – an anti-composition.

Episode 2: A Special Form of Darkness
10 October 2008
DCA

Salon and Q&A

Kjell Björgeengen William Bennett Zoe Irvine

A day of presentations and discussions on the theme of audio visual perception in the context of experimental music, film and art.

Kill Your Timid Notion 08
participants sit at a large table listening to the discussion
3 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Ultra-red Vogue’ology

For day two of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by the Vogue’ology collective.

A survey is a process of listening
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