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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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All Archive (719)

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A blackboard with chalk lined box shapes and orange post-it notes by a wall
14 November 2010
Tramway

Evacuation of The Great Learning

Mattin Ray Brassier

Three workshops lead up to an open invitation to improvise with the festival as concert. The last four hours of the Sunday 14 at Instal 10 were devoted to presentations devised during the three workshops. The material conditions (time, space, facilities…) were the instruments. From there anything could happen.

INSTAL 10
Three figures are silhouetted by a large window in the shape of a parallelogram
4 May 2012
Whitney Museum of American Art

Is a survey a process of listening?

Barry Esson Jay Sanders

A short chat about what we (Arika) might be trying to do with our program for the Biennial.

A survey is a process of listening
A man in Hi Vis smiles as he plays a snare drum in a car park
27 February 2010
DCA

Film Programme 3: Collective Actions

Various Artists

Individual experience separated by physical boundaries (of space, time or ability) suggested as communities of collective experience by (perhaps voyeuristic) artists.

Kill Your Timid Notion 10
Phil Minton conducts a large choir
22 March 2009
The Arches

Century FC

Phil Minton

A 100 strong Feral Choir of people who’ve never improvised with their voices before, conducted by composer Phil Minton.

INSTAL 09
The porcelain head of a doll stands out from a black background.
30 September 2020

Not Going Back to Normal

Arika is proud to be one of several arts organisations in Scotland supporting the commissioning of a radical new manifesto, by and for disabled artists working in Scotland.

Koji Asano and friend backstage at INSTAL 02
1 December 2002
The Arches

Eclipse of the Moon from the Backyard

Koji Asano Paragon Ensemble

Work for cello, percussion, contra bassoon and cherbulum commissioned for Instal in collaboration with Paragon

INSTAL 02
8 – 9 November 2025

Class (in the arts) Workshop

ARC (A Revolting Class) SAU (Scottish Artist Union) Common Treasury Scottish Working Class Network

A 2-day workshop to deconstruct our classed experiences and the ways in which we reproduce the same class system we fight against, in order to create a stronger, more egalitarian Scottish art sector.

14 October 2006
The Arches

Infest – Birds of Delay & Nackt Insecten

Birds of Delay Nackt Insecten

Out holler/ howl of English pukenoise posterboys exploded by incessant insect chatter of Northern fug dweller.

INSTAL 06
Arika_Episode8_RefusePowersGraspClub-6
21 October 2016
The Art School

Refuse Powers’ Grasp – Club

boychild Elysia Crampton Juliana Huxtable Joe Heffernan

All ticket income goes directly to We Will Rise – a group of migrants, refugees, asylum seekers and their allies who have come together to End Immigration Detention in the UK.

Episode 8: Refuse Powers’ Grasp
Image says:Don't ask to fight their wars, don't tell them that's what we're for.
23 October 2016
Tramway

Against Inclusion

Dean Spade Eric A Stanley Mujeres Creando

What does it mean to resist seeking assimilation or inclusion within, or let our demands be co-opted by the very systems we seek to dismantle?

Episode 8: Refuse Powers’ Grasp
In a bedroom filled with daylight, Kyla, a mixed heritage woman in her 30s, sits on a raised bed and looks intently through a digital video camera. She films Lou, a white woman in her 20s who sits in Kyla’s power chair for the first time. Lou looks focused as she tries to reverse.
12 March 2022
Online

Watch What Happens Live with Kyla Harris and Lou Macnamara

Lou Macnamara Kyla Harris

In true reality television style, this in-depth artist talk will tackle all the hardest-hitting questions and juiciest details about care, creative collaboration, and disability justice.

Mutual Aid
A screen showing two people holding a Sotherbys Bad for Art banner
3 May 2012
Whitney Museum of American Art

The Indivisible or Inadmissable Committee

When one calls a strike, who hears the call, who attunes and listens to it? How to listen to the call of a strike? What prevents one from hearing this call or stops one from listening to it?

A survey is a process of listening
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