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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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under a dramatic spotlight boychild wrapped in string is hunched and performs
25 May 2013
Tramway

#untitled lipsync 2

boychild

The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.

Tetsuya Umeda operating a machine next to an audience
15 October 2006
The Arches

Tetsuya Umeda

Tetsuya Umeda

Umeda is a Japanese artist who is as fascinated in setting up interesting situations to observe, as he is in creating performances.

INSTAL 06
Kazuo Imai playing an acoustic guitar on stage at MLFC 05
21 May 2005
The Sage Gateshead

Kazuo Imai

Kazuo Imai

One of the most arresting and unique improvisers in Japan, creating an original and powerful body of free music.

Music Lover’s Field Companion 05
Three slashes of colour in a black film frame, blues, pinks, reds
19 February 2006
DCA

Film Programme 3: Retro

Various Artists

Birthed from the collective stagger in global consciousness of the late 50’s and 60’s, this programme celebrates epochal, groundbreaking films that all address sound in their own way and that have opened pathways to experimentation.

Kill Your Timid Notion 06
Merzbow: Masami Akita looking at a computer screen
23 November 2003
The Arches

Merzbow

Merzbow takes the junk of sound and transforms it into blistering noise assaults with an incredible spectrum and impact.

INSTAL 03
A film still. In the foreground is the hand of a person lying on the ground in a wooded area that is covered in leaves. The hand is painted white, palms down in a slightly clawed resting on the leaves.
16 November 2024
Tramway Live Stream

The Ancestral Present

Karrabing Film Collective Elwood Jimmy

Watching films and chatting with Karrabing members about those films: as they attend to the memory and practice of the ancestral present and the ancestral catastrophe that Karrabing and their more-than-human world find themselves facing.

Episode 11: To End the World As We Know It
Jarrod planting seeds in little cardboard plant pots, with a pink watering can
28 February 2010
DCA

Jarrod Fowler

Jarrod Fowler

What is the radical concept at the core of ‘rhythm’, expanded from simply musical or mathematical notions to encompass personal, social, collective rhythms?

Kill Your Timid Notion 10
Several rows of audience members smile and one has a hand raised
17 April 2014
The New School

Ballroom Town Hall Meeting

Various Artists

Open community meeting to discuss some of the prevalent concerns impacting the ballroom community.

Master Ballstar Weekend
A view down a long underground corridor with lockers and a few seated figures
24 February 2010
DCA

Lunch Break

Sharon Lockhart

A slowed down single tracking shot along a corridor as workers at the Bath Iron Works, (Maine, USA) take their lunch break.

Kill Your Timid Notion 10
Kenny Goldsmith holds a microphone wearing a white spotted jumper
16 February 2008
The Arches

Translation

Achim Wollscheid Kenneth Goldsmith

Kenneth Goldsmith reads extracts of his conceptual poetry and Achim Wollscheid manipulates mobile phone signals.

INSTAL 08
Colorful leather bound books line a wooden shelf, with writing on their spine in Arabic, one booklet entitled “3 Scores and The People’s Mic Khutba” in Urdu, is slipping into the company of the books or out into the hands of a seeker.
14 November 2024
Tramway Live Stream

Bring a Witness

Sadia Shirazi Mezna Qato

Sadia Shirazi & Mezna Qato will discuss a series of scores that explore the texture and landscape of exile, resistance, and Muslim sociality. These instructional scores trouble the idea that art and activism are untouched by faith and faith is untouched by art and activism.

Episode 11: To End the World As We Know It
Two abstract images merge. Earth coloured circles. Traces of particle decay.
24 November 2019
Tramway

The utterly in common, or bodies of colour in the flesh

James Goodwin Nisha Ramayya

“Beginning where you and me ends, where we don’t so much come but are already here.” Join James and Nisha to talk about breath, erotics and flesh, about our social, poetic cosubstantiality.

Episode 10: A Means Without End
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