
Diamanda Galás
Diamanda Galás
Solo performance by Diamanda Galás one of the great artists of the last forty years. Hers is an emotional expressionism of demonic shrieks, operatic falsettos, glottal clicks and diabolical growls.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Solo performance by Diamanda Galás one of the great artists of the last forty years. Hers is an emotional expressionism of demonic shrieks, operatic falsettos, glottal clicks and diabolical growls.
Inspired by the supernatural horror of H. P. Lovecraft, black metal and a sense of worry as to what constitutes an object, or a world.
A specially commissioned performance for organ. “The course of the stars were to be put to sound.”
An audio and video investigation of gender cults, Catholicism, hauntings and nuns’ use of audio devices…
Everyday objects and materials (rubber bands, paper, a sink, microphones) disabused of their inertia and made to speak for themselves in a kind of focusing in on the tiny, repetitive, almost unobserved (sonic/ visual) potential of everyday things put into motion.
Noise music for the eyes. A 6 screen 16mm projection performance of intense audio and visual stimulus.
Percussion used to explore the social construction of space
Improvising violinist Angharad Davies performing with pianists Tisha Mukarji and Andrea Neumann.
“Introduction to Protactile Theory” is a legendary seminar that facilitator John Lee Clark has designed to bring diverse communities into conversation with the Protactile movement.
An original and beautifully simple performed installation forging a direct link between sound and image.
We asked Christoph to come and give a sort of informal talk, raising some of his ideas about sound and image, and playing/ showing a few examples.
UK conceptual/ drone/ noise artist, who is seriously posing what might seem to be unanswerable questions of music.