Vorticity in the Eternal Hum
Alexander Moll Jackie Wang
What’s the relationship between the eternal hum of the oceanic beloved and the persistence of vorticity in fluid dynamics? And how does Alice Coltrane’s harp help us stay there?
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
What’s the relationship between the eternal hum of the oceanic beloved and the persistence of vorticity in fluid dynamics? And how does Alice Coltrane’s harp help us stay there?
Live ISDN drone performance resonating between Dundee and an empty Montreal Grain Silo.
A changing pool of people (40 or so at a time – artists, audiences, etc) talk for 90 minutes in a simultaneous series of open-ended round-table discussions, structured like speed dating, and mixed live as both a concert and for radio broadcast.
Come for the crip ingenuity; stay for the smooth feels of what it is to be each other’s everything.
Ray and Thomas talking about how cognitive neuroscience is unlocking the physical basis of personal experience.
Journalist and underground music champion Alan Cummings talks to Keiji Haino about his career and his performance the previous evening.
A sung-through Nubian musical ballet. A darkly humorous take on sexual trauma and what magical and ancestral tools might heal it.
A socio-poetic reading on wayward communities – The wayward create upheavals, incite tumult. They come and go as they please; they are fugitive; they are in open rebellion against society.
Our favourite Lancashire-born autodictact asks what’s political about the tension between the individual and the collective in free jazz.
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
Moor Mother is a musician, Philadelphian housing activist and black quantum futurist.
Ever changing coven of feedback worshipping witches led by Blood Stereo/ Smack Music 7 shrieker Karen Constance spit audio hexes through yr skulls.