Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A multi-media harp and spoken word tribute to the incalculable, the in-deducible, the suspicious static noise that accompanies the voice of truth, and the attempted aberrations in the domain of emergence.
Join Umbrella Lane and special guest migrant trans sex workers in a community discussion about the points of intersection in LGBT people’s rights and sex worker’s rights.
Jarringly beautiful and often maniacal expression of hallucinatory and very personal visions.
Offering a crip grief transformation and witness altar. A place to sit and breathe, remember our dead, wash our hands and leave offerings to and for loved ones we’ve lost – and for ourselves. Expect fire and a little bit of smoke. Concluding with a D/deaf centered social space with conversational interpreters available for those who do not speak ASL.
Work for cello, percussion, contra bassoon and cherbulum commissioned for Instal in collaboration with Paragon
A Performance exploring the nature of acousmatic listening; sound removed from visual context and understood for it’s own properties.
A series of three short performed situations and statements to be examined or judged from the most interesting young musician in Glasgow (we think).
Open community meeting to discuss some of the prevalent concerns impacting the ballroom community.
A chorister attempting to sing Vivaldi, with live accompaniment, while trampolining for 20 minutes.
Vanessa Place talks at The Friday Event series at the Glasgow School of Art about her practice as a writer.
Hartmut is going to talk a little about his work at large and the politics of how his films are constructed. And we’ll screen one of his best films: B-52.
A riot of 60’s psychedelia, magick, ritual and tight black leather, this programme highlights underground innovators who use and subvert pop music for their own experimental ends; and be warned, in Anger, there’s real darkness.
