Arika  Archive Menu
Accessibility Settings

text size

colour options

monochrome muted color dark

reading tools

isolation ruler

Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

Filter the Archive
Suggested Searches

All Archive (704)

Order by
Three men operating electronic equipment. Fraser is in yellow on the floor
22 March 2009
The Arches

Free-form hook up

Grant Smith Jean-Philippe Gross Fraser Burnett

Droner responsible for Fordell Research Unit, Muscletusk’s murk manipulator and Metzian concrete-mixer cement international relations and yr heids.

INSTAL 09
Kenny Goldsmith holds a microphone wearing a white spotted jumper
16 February 2008
The Arches

Translation

Achim Wollscheid Kenneth Goldsmith

Kenneth Goldsmith reads extracts of his conceptual poetry and Achim Wollscheid manipulates mobile phone signals.

INSTAL 08
Ryoji Ikeda operating a laptop surrounded by amplifiers
23 November 2003
The Arches

CCI Sound System

Ryoji Ikeda

CCI Sound system: a performance in which new material will be mixed and phased between two huge PA’s, one a precise Meyer system, the other a huge wall of Marshall amps

INSTAL 03
Seijiro Muruyama concentrates during a performance with Diego Chamy
12 November 2010
Tramway

Why improvised music is so boring

Diego Chamy Jean-Luc Guionnet Seijiro Murayama

An improvisation that may or may not involve (typical) improvisation.

INSTAL 10
Pauline Oliveros holding an accordion while reading information from a laptop
16 October 2005
The Arches

Pauline Oliveros & David Dove

David Dove Pauline Oliveros

Since the 1960’s Oliverios has had a profound influence on generations of musicians through her work with myth and ritual, improvisation and meditation.

INSTAL 05
A guitarist and a drummer performing on stage
13 May 2007
The Sage Gateshead

Aufgehoben

A preposterously heavy, eye of the storm musical tug of war, in which two drummers, electronics and electric guitar fall over each other in a droning crush.

Music Lover’s Field Companion 07
William Basinski in shirt and tie, blue screen behind, gold table to the fore
16 October 2004
The Arches

William Basinski

William Basinski

Improvising using nothing so much as the passage of time as his instrument, Basinski creates works of great melancholic depth and fragile beauty.

INSTAL 04
Two Bain brothers look down at a lit mixer in a dark space
15 February 2008
The Arches

Self Cancellation – Archisonic

John Bain Mark Bain

A system in which oscillators shake The Arches, seismographs pick up the harmonics that are then amplified through massive sub-bass PA.

INSTAL 08
M NourbeSe Philip is congratulated by Amiri Baraka and Sonia Sanchez
21 April 2013
Tramway

Zong!

M. NourbeSe Philip

Can a collective performance of NourbeSe’s poem of black life as it exceeds containment enact alternative forms of selfhood that emerge in and out of African diasporic experience?

Episode 4: Freedom is a Constant Struggle
Two speakers on stage surrounded by audience and red cushions
19 November 2017
Tramway

Discourse or Intercourse: Group Action

Maxine Meighan Robert Softley Gale

How do people living with disability see themselves in today’s sexualised culture? How do we imagine our crip sexual selves despite society wanting to reduce us to non-erotic bodies?

Episode 9: Other Worlds Already Exist
Alice is centre stage in her manual wheelchair, arms raised, crutches extended
13 April 2019
Performance Space New York

Where Good Souls Fear

Alice Sheppard

An occasion for commotion, and a chorus of motions. Choreography rotating your revolutions and then some.

I wanna be with you everywhere
Arika_Instal08_BryonyMcIntyre_IMG_390076
16 February 2008
The Arches

Translation

Jarrod Fowler

Jarrod Fowler creates a social space where layered one-to-one live encounters with the audience become sonic material.

INSTAL 08
?
This site uses cookies for analytics. See our Privacy Policy for more. OK Opt out
×