KYTN Salon: Post Consideration
Andrew Lampert Edwin Carels Eric La Casa John Harris Prof. Heike Sperling Zoe Irvine
Post consideration and post rationalisation… How do we think about experimental music and film after the performance?
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Post consideration and post rationalisation… How do we think about experimental music and film after the performance?
UK conceptual/ drone/ noise artist, who is seriously posing what might seem to be unanswerable questions of music.
An LSD trip gone right via dense explorations of post-Fahey steel and low level drone.
A performative survey of listening, as we managed to find it being used as a tool in different practices, disciplines and communities in North America (music, poetry, film, philosophy, activism…).
Seven women recite monologues composed from texts from the vibrant years of the Weimar Republic. A kind of cultural echo: an experience of histories brought to the present.
Three speakers play back pre-recorded sounds, Marc listens and responds: “What is played is the imperfect witness of what I listen to (or maybe better, how I listen).”
Jandek’s second ever live performance, and the first to be advertised in advance.
Harrowing but musical confrontations with the very real, physical and aural trauma of a woman screaming.
Poems are kisses, fists, and underground rivers. For all these reasons and many more, I am a poet.
We commissioned Radu Malfatti to write a new piece for the 21-piece string section of the Northern Sinfonia: Music striving to discover the exact point at which sound resonates the clearest amidst long drawn out silences.
Usurper jamming live in a skip at the site of Bud’s Neill’s Lobey Dosser statue on Woodlands Road.
Tiny fragments of sound recombined and woven into spare and precise, violent yet beautiful pieces