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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Hisato Higuchi backstage at MLFC 07
13 May 2007
The Sage Gateshead

Hisato Higuchi

Hisato Higuchi

Some of the most breathtaking, delicate and smoke filled guitar playing this side of Loren Connors or the quieter sides of Keiji Haino.

Music Lover’s Field Companion 07
A long distance shot of a dark theatre stage piled high with cardboard boxes
26 February 2012
Tramway

Inhuman Grand-Guignol Theatre

Taku Unami

Inspired by the supernatural horror of H. P. Lovecraft, black metal and a sense of worry as to what constitutes an object, or a world.

Episode 2: A Special Form of Darkness
A woman looks towards the camera from the a low angle, there are trees behind
28 September 2014
Tramway

Dreams are Colder than Death

Arthur Jafa

A landmark film on black life – a poetic filmic constellation of meditations, fragments and interviews on what it means to be black in America in the 21st century, from one of its great cinematographers.

Episode 6: Make a Way Out of No Way
Jackie Wang and Alexander Moll are on dark stage spotlit with a yellow and blue
22 November 2019
Tramway

Cottonmouth Liturgy

Alexander Moll Jackie Wang

A multi-media harp and spoken word tribute to the incalculable, the in-deducible, the suspicious static noise that accompanies the voice of truth, and the attempted aberrations in the domain of emergence.

Episode 10: A Means Without End
Colorful leather bound books line a wooden shelf, with writing on their spine in Arabic, one booklet entitled “3 Scores and The People’s Mic Khutba” in Urdu, is slipping into the company of the books or out into the hands of a seeker.
14 November 2024
Tramway Live Stream

Bring a Witness

Sadia Shirazi Mezna Qato

Sadia Shirazi & Mezna Qato will discuss a series of scores that explore the texture and landscape of exile, resistance, and Muslim sociality. These instructional scores trouble the idea that art and activism are untouched by faith and faith is untouched by art and activism.

Episode 11: To End the World As We Know It
Ascension: Paul Hession & Stefan Jaworzyn backstage at MLFC
12 May 2007
The Sage Gateshead

Ascension

Paul Hession Stefan Jaworzyn

A recently reanimated Ascension, with mighty Leeds drum hero Paul Hession bringing a dense polyrhythmic torrent into play with Jaworzyn’s reinvigorated piercing guitar.

Music Lover’s Field Companion 07
Loren and Alan playing electric guitars
16 October 2005
The Arches

Loren Mazzacane Connors & Alan Licht

Alan Licht Loren Mazzacane Connors

An utterly deep introspection told in aching, weeping guitar lines; melodic, simple, always minimal but somehow entirely epic.

INSTAL 05
Ingar Zach & Rhodri Davies on stage at INSTAL 05
16 October 2005
The Arches

Ingar Zach & Rhodri Davies

Ingar Zach Rhodri Davies

Minimal details and otherworldly glistening drones, rich with sustained metallic timbres that breathe with the scrapped pulse of bowed metal.

INSTAL 05
a close up of a music box and stylus surrounded by acoustic padding
10 December 2004

The Music Box (2004)

Petteri Nisunen Tommi Grönlund

Finnish duo Grönlund Nisunen are known for their extraordinary work fusing incredible sounds with stunning objects in large scale sculptural installations.

Kill Your Timid Notion 04
Publication, Nov 2024

IN OUR LIFETIME – A New Anti-Imperialist Resource

Hussein Mitha

IN OUR LIFETIME, is an anti-imperialist resource, edited by Hussein Mitha, produced by Arika for Episode 11, featuring poetry, essays, questions, prompts, letters and works of anti-colonial imaginary.

Episode 11: To End the World As We Know It
Freedom Is a Constant Struggle Poster Graphic
17 – 21 April 2013
Tramway

Episode 4: Freedom is a Constant Struggle

Do art forms like black radical poetry, free jazz and improvisation create a space for the performance of freedom? Did they ever? And can they still do so now?

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