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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A circle of chairs facing inwards
14 November 2010
Tramway

The Echo Project

Brandon LaBelle

The Echo project is an installation as audio guide for a crowd. And at the same time it’s a private conversation: with you, as one of 20 people in a room, a sort of public intimacy.

INSTAL 10
A medium close up of the thick trunk and roots of a mangrove tree
16 April 2015
Tramway

Assemblages

Dir: Maurizio Lazzarato & Angela Melitopoulos

A filmic constellation exploring Felix Guattari’s anti-patriarchal, anti-colonialist, anti-psychiatric, animist ideas of care and the self. And an Introduction to the Episode.

Episode 7: We Can’t Live Without Our Lives
An abstract texture against a black background
18 February 2006
DCA

Sandra Gibson, Luis Recoder & Daniel Menche

Luis Recoder Sandra Gibson Daniel Menche

A collaborative performance where sound and image are created, performed and mediated by light, water and glass.

Kill Your Timid Notion 06
A design with a yellow background featuring a bottle of Chubz poppers
19 November 2017
Tramway

Chubz

Huw Lemmey

Politicised fan-fiction chronicling working class gay urban space and fantasy.

Episode 9: Other Worlds Already Exist
Inure Takehashi playing a snare drum among buddleia
15 July 2007
The former Abbeyhill Station

Shadowed Spaces Edinburgh

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

The site of the former Abbeyhill Station on the 1903 Leith branch of the Edinburgh and Dalkeith railway, overgrown and leading to as yet un-regenerated ‘wasteland’; taxi’s for 80 people, each instructed to take different routes between locations and; a slice of land concealed behind corporate business park branding off the Wester Approach Rd, apparently of no conceivable use and named ‘Chateaux de Scum’ by those who use it anyway.

Shadowed Spaces
Tim Goldie wearing sunglasses and hat holds his hands over his ears, tongue out
12 November 2010
Tramway

Tim Goldie

Tim Goldie

Three intense solo performances for drums (both played and screamed through), cymbal, voice, credit card, bird whistle, and guitar amplifier/leads.

INSTAL 10
18 February 2006
DCA

Word Processor

Derek Lodge The Duty Managers

Artist Derek Lodge running a specially designed social space, somewhere for conversation, story-telling and interaction.

Kill Your Timid Notion 06
Ripples on the surface of water
12 October 2008

cloud _to_air

Seth Cluett

Like walking through the abstracted amalgamation of 30 or so storms, trays of water shaken by thunder, light bouncing off pools.

Kill Your Timid Notion 08
Taku Unami looks moodily at a computer screen darkness all around
22 March 2009
The Arches

A Signature of the Room

Jean-Luc Guionnet Taku Unami

Simple maths and stringent scored instructions move precise frequencies and clicks to create a dense, fluctuating environment of standing waves and physical sound.

INSTAL 09
a newspaper clipping of a drawing of a donkey, side on
15 April 2007
DCA

Film Programme 5: Word

Emma Hart Guy Sherwin Paul Sharits Various Artists John Smith

Includes: a £20 note, stock fluctuations, an examination of words in the video medium, a linguistic challenge for your mind, a frame by frame dissection 50 words, shop front poetry, image and language head to head and newspapers under the microscope.

Kill Your Timid Notion 07
Two Bain brothers look down at a lit mixer in a dark space
15 February 2008
The Arches

Self Cancellation – Archisonic

John Bain Mark Bain

A system in which oscillators shake The Arches, seismographs pick up the harmonics that are then amplified through massive sub-bass PA.

INSTAL 08
Black and white image of clouds from above showing a fractal pattern
23 November 2019
Tramway

Vorticity in the Eternal Hum

Alexander Moll Jackie Wang

What’s the relationship between the eternal hum of the oceanic beloved and the persistence of vorticity in fluid dynamics? And how does Alice Coltrane’s harp help us stay there?

Episode 10: A Means Without End
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