Sea Oak
Emily Wardill
A film installation as both allegory and investigation of The Rockridge Institute and their research into ‘framing’ and the use of metaphor within political discourse.
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A film installation as both allegory and investigation of The Rockridge Institute and their research into ‘framing’ and the use of metaphor within political discourse.
When we look, how do we objectify the body; how can we reflect on our (self) image as a construction?
Instead of the one-way monologue of normal performance, what would be the result of an actual collective dialogue? Where would it go?
Paper Piece: Secrets is a performance for and with the whole audience, using paper, text, secrets, being in the crowd
The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.
An occasion for commotion, and a chorus of motions. Choreography rotating your revolutions and then some.
With lo-fi dreams and high-def humor, Bande brings MC vibes to the day. Interluding music with spoken performance, the live extimacy of Bande’s presence reaches out via emo-techno-bridges.
Quintessentially British, The Bohman Brothers’ music is a home-made and DIY conflux of some of the most virulent strains of experimental music.
Multiple images, glimpses of old films, abstract images in the midst of an electro-acoustic sound field of tape loops & analogue synthesizers
A poetic multi-screen performance about “the inadequacy of the arbitrary passing moment and the impossibility of permanence”. About time and change.
Tiny fragments of sound recombined and woven into spare and precise, violent yet beautiful pieces
Laser beam sine tones used to draw delicate, abstract patterns by vibrating charcoal, placed atop of a great strip of paper running through the gallery; beautiful, fragile sound-created autonomous drawing.