Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
MICRO 1 – Wrap a live microphone with a very large sheet of paper. Make a light bundle. Keep the microphone live for another 5 minutes. T. Kosugi – (1961)
Elizabeth’s writing pulls apart toxic settler colonialism and the worldview used to justify it; working towards an alternative distribution of powers, so that ways of being otherwise can endure.
Investigate film as language, via the language of film reduced to the basic units of film and language. A film as text in which each frame is a single word.
Inspired by the supernatural horror of H. P. Lovecraft, black metal and a sense of worry as to what constitutes an object, or a world.
What does it mean to listen with the mind as well as the ears? A solo performance from the great avant-garde pianist.
Slowly evolving ultra-subtle harmonics and multi-tracked, otherworldly drones that only reveal their true power at high volume.
The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.
A loud, buzzing stew of electrical light as noise and convulsive electric guitar squall.
Improvising violinist Angharad Davies performing with pianists Tisha Mukarji and Andrea Neumann.
A historical narrative of the black and latino/a transgender, bisexual, lesbian, and gay House and Ballroom Scene in relation to its artistic practices.
Writing that shows us that, even in struggle, there is light to be let in.
Hartmut is going to talk a little about his work at large and the politics of how his films are constructed. And we’ll screen one of his best films: B-52.
