Work Care Class 1 – Care & Work
Howard Slater
First in a series of workshops for workers and non-workers who care. Does work that asks us to be attentive to the needs of others force us to sell our capacity for kindness?
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First in a series of workshops for workers and non-workers who care. Does work that asks us to be attentive to the needs of others force us to sell our capacity for kindness?
Post consideration and post rationalisation… How do we think about experimental music and film after the performance?
When we look, how do we objectify the body; how can we reflect on our (self) image as a construction?
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?
UK conceptual/ drone/ noise artist, who is seriously posing what might seem to be unanswerable questions of music.
Work that focuses in on the static hiss and background noise of recording and pushes it to the fore.
Freeform Super 8mm documentation of Saturday at Instal 06 by filmmaker Matt Hulse.
We wanted to ask a bunch of the best high-energy-improvisers around; can musical form really taking shape via a group energy? Can individual concentration lead to a group consciousness?
Lo-fidelity sheets of parinirvanic mangled tone get driven into oblivion by two longstanding gurus of the Northern England primitivist noise.
John Butcher plays and manipulates a feeding back saxophone. Benedict Drew on electronics, broken cables and standing waves.
The role of feelings in public life, (political) depression and creative survival.
A testimony to poverty from Chris’s own experiences, and an invitation to engage with an all too typical situation and context through a kind of imaginary listening.