Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Radu plays a trombone, Klaus creates pure sine waves: they sound on their own, or sometimes together and often with considerable space and silence.
Is it possible to dance our way out of the hardened stances and identity prisons we are locked in?
A kind of audience activating, structured film guessing game in the manipulation of time, sound and image. “At 11:15, weiners. At 21:05, pornography. At 23:30, a duet. Watch the Clock.”
Poems are kisses, fists, and underground rivers. For all these reasons and many more, I am a poet.
A film performance about Guy then, and Guy now, as a metaphor for the passing of time, which of course all film is inherently about.
The club as a community and a site for performed politics: deep/ queer house, vogue femme, lipsync and ballroom.
An occasion for commotion, and a chorus of motions. Choreography rotating your revolutions and then some.
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?
The final iteration of Arika’s INSTAL festivals, the 2010 edition was an experimental festival of experimental music – 3 days of events at the Tramway that explored un-average ideas about sound and music.
Conceptual writer and practicing lawyer Vanessa Place performs and talks with Mark Sanders, author of the brilliant “Complicities: The Intellectual and Apartheid”
A Performance exploring the nature of acousmatic listening; sound removed from visual context and understood for it’s own properties.
Perhaps the paradigm of America’s covert musical subculture, Sun City Girls operate just over the border of raucous delirium.
