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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A man in Hi Vis smiles as he plays a snare drum in a car park
27 February 2010
DCA

Film Programme 3: Collective Actions

Various Artists

Individual experience separated by physical boundaries (of space, time or ability) suggested as communities of collective experience by (perhaps voyeuristic) artists.

Kill Your Timid Notion 10
A line of people in white masks hold a pink banner "Non a la Discrimination"
26 May 2019
Kinning Park Complex

How to Ally with Sex Workers on Decriminalisation of Sex Work

Join Scot-PEP, SWARM and Decrim Now for a day of panel discussions focusing on: sex worker’s labour rights, how decriminalisation can help in the struggle for sex worker safety, sex work & migration with a film screening of Crossings.

John is sitting on the stage, surrounded by people, all touching each other
14 April 2019
Performance Space New York

John Lee Clark

John Lee Clark

An invitation into languages field of touch; to speak in feeling together.

I wanna be with you everywhere
A female lying on a bed smiling as someone sits next to her
19 April 2015
Tramway

Ode to 1 & under

Constantina Zavitsanos Park McArthur

How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?

Episode 7: We Can’t Live Without Our Lives
Daniel Carter plays a saxophone and William Parker plays a bamboo flute
20 April 2013
Tramway

Daniel Carter & William Parker

Daniel Carter William Parker

What might Carter and Parker’s collaboration tell us about our own performances of responsibility and liberty, whether individual, social or musical?

Episode 4: Freedom is a Constant Struggle
Tens of silken knotted ropes in shades of gold and blue hang vertically
22 November 2019
Tramway

Exhibition: Gravitational Feel

Fred Moten Wu Tsang

How do we sense entanglement? Can the knotting of ropes according to a poem’s rhythm make the social pulse of language matter?

Episode 10: A Means Without End
Seijiro Muruyama concentrates during a performance with Diego Chamy
12 November 2010
Tramway

Why improvised music is so boring

Diego Chamy Jean-Luc Guionnet Seijiro Murayama

An improvisation that may or may not involve (typical) improvisation.

INSTAL 10
A man in a blue jacket seems to listen intently whilst wearing large headphones
14 November 2010
Tramway

House – “The Tipping Point”

Aileen Campbell Eric La Casa Gaël Leveugle Jean-Luc Guionnet Neil Davidson Seijiro Murayama

Listening to people listening to their own homes. Musicians and actors will listen back to recordings made in local peoples homes on headphones, and interpret/ translate what they are hearing.

INSTAL 10
Still from animated film ‘shit’s totally fucked! What can we do? A mutual aid explainer’ – text and illustrations on paper and wood, that spells out “something really important about all this is that Mutual Aid is not Charity”
9 March 2022

Mutual Aid on the Road to Abolition

Dean Spade Abolitionist Futures

How do we make the connections between the mutual aid practices of our daily lives and anti-capitalist efforts to dismantle wider systems of exploitation?

Mutual Aid
A close up shot of a fender amplifier
14 October 2006
The Arches

See Noise Hear Light Saturday

Jazkamer Keiji Haino Kiyoharu Kuwayama Lee Patterson Matt Hulse Ravi Padmanabha Steve Baczkowski The Bohman Brothers Tony Conrad

Freeform Super 8mm documentation of Saturday at Instal 06 by filmmaker Matt Hulse.

INSTAL 06
Ben Chasney standing against a wall in a t shirt
16 October 2004
The Arches

Six Organs of Admittance

Six Organs of Admittance

Pitching Fahey inspired, eastern-infused folk vibrations, sad elliptical drones and oracle chants into one kaleidoscopic sound.

INSTAL 04
A film frames has the words "Scene Missing" displayed
25 February 2010
DCA

Standard Gauge & ()

Morgan Fisher

A double bill of Morgan Fisher films that ask what can be achieved by a simple structural method of commenting on scraps of 35mm film, re-shot on 16mm film and what happens to meaning (if anything) when ‘insert shots’ are relieved of their original duty of providing crucial plot development for a variety of other movies?

Kill Your Timid Notion 10
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