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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Keiji Haino playing a saz onstage in CCA Glasgow 05
23 May 2005
CCA

CCA Glasgow 05

Jandek Keiji Haino My Cat Is An Alien Taurpis Tula

Performances at CCA Glasgow by Keiji Haino, My Cat Is An Alien, Taurpis Tula, Jandek with Richard Youngs and Alex Neilson.

"Episode 11: To End the Worlds As We Know It" title superimposed in white & red text on top of a blue back ground with a dark navy circle that looks like ripped paper.
13 – 17 November 2024
Tramway Glasgow School of Art

Episode 11: To End the World As We Know It

5 days of film, music, discussion and study of our collective incompleteness—arrayed against the colonial ordering of how we come to know the world—practicing how we might exist otherwise, right here and now. Can we start to know and practice the world to come?

From a flat roof top, a pigeon flys to the right. on the roof are metal canisters weighted with brick, metal poles and frames and wires. In the distance we see the blurred outline of a city located in a dry desert like landscape.
17 November 2024
Tramway Live Stream

Toward Nakba as a Planetary Process

Anti-Denialist Museum of Palestine Ayreen Anastas Rene Gabri Houria Bouteldja Avery F. Gordon Amirah Silmi Françoise Vergès Additional Contributors

An assembly to try and provide some experiential and theoretical resources for the renewal of a certain affective, extra-political sociality, in the face of one of our great adversaries; the forces of colonial, imperial, genocidal denial.

Episode 11: To End the World As We Know It
Side profile portrait of Rashad Becker wearing a peaked baseball cap.
15 November 2024
Tramway Live Stream

Subversive Strategies in Sound and Music

Rashad Becker Sunik Kim

A chat with Rashad about the communist, conceptual methodology that informs his ground-breaking synthetic music—a form of speculative sonic fiction writing to produce hyperreal non-representational auditive experiences.

Episode 11: To End the World As We Know It
Peter Evans backstage at MLFC 07
11 May 2007
The Sage Gateshead

Peter Evans

Peter Evans

A sound of buzzing and flickering metallic drones, glottal stops and guttural growls, and also an explosiveness and purity of sound that reminds you as much of Bill Dixon as anyone else.

Music Lover’s Field Companion 07
Seated people chat near microphones
26 February 2010

SpeedDataRadio

Resonance Radio Orchestra

A changing pool of people (40 or so at a time – artists, audiences, etc) talk for 90 minutes in a simultaneous series of open-ended round-table discussions, structured like speed dating, and mixed live as both a concert and for radio broadcast.

Kill Your Timid Notion 10
Still from Hope and Prey screening
14 April 2007
DCA

Hope and Prey

Daniel Menche Vanessa Renwick

Life and death dramas unfold in the snowy American North, using three-screen documentary footage and a soundtrack by KYTN favourite, vocalist Daniel Menche.

Kill Your Timid Notion 07
Shuji Inaba playing acoustic guitar and singing on stage at MLFC 05
22 May 2005
The Sage Gateshead

Shuji Inaba

Shuji Inaba

A confrontational and somehow shamanic stance; introspective silences shattered by savage jabs at the strings, whirlwind strums dying into spartan chords

Music Lover’s Field Companion 05
Eddie Prevost and John Tilbury against projection of a large red bus
10 December 2004
DCA

AMM & Malcolm Le Grice

Malcolm Le Grice AMM

One of the most influential groups in improvised music, with the collective understanding that comes from listening keenly to each other for decades

Kill Your Timid Notion 04
1 December 2002
The Arches

John Wall

John Wall

Tiny fragments of sound recombined and woven into spare and precise, violent yet beautiful pieces

INSTAL 02
arika_ep7_IMG_6458
19 April 2015
Tramway

TLRS

Laurence Rassel Terre Thaemlitz

The weeks previous TLRS daily radio shows, after-hours conversations, radio booths and special guests reassembled as a live electroacoustic performance.

Episode 7: We Can’t Live Without Our Lives
Tim Goldie wearing sunglasses and hat holds his hands over his ears, tongue out
12 November 2010
Tramway

Tim Goldie

Tim Goldie

Three intense solo performances for drums (both played and screamed through), cymbal, voice, credit card, bird whistle, and guitar amplifier/leads.

INSTAL 10
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