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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Rhodri Davies and Terry Day performing at MLFC 07
13 May 2007
The Sage Gateshead

Rhodri Davies & Terry Day

Rhodri Davies Terry Day

Terry is one of the most entertaining and unpredictable musicians in the London free improvising music scene. Rhodri Davies extends his instrument under a battery of techniques creating sound colours and textures quite alien to the harp.

Music Lover’s Field Companion 07
Three men operating electronic equipment. Fraser is in yellow on the floor
22 March 2009
The Arches

Free-form hook up

Grant Smith Jean-Philippe Gross Fraser Burnett

Droner responsible for Fordell Research Unit, Muscletusk’s murk manipulator and Metzian concrete-mixer cement international relations and yr heids.

INSTAL 09
Kan Mikami & JO JO Hiroshige playing guitars and singing at MLFC 07
11 May 2007
The Sage Gateshead

Kan Mikami & JO JO Hiroshige

JO JO Hiroshige Kan Mikami

Folk poet, actor and bon viveur Kan Mikami in duo with Jojo Hiroshige, a founding member of Japanese Noise band Hijokaidan.

Music Lover’s Field Companion 07
Three men play instruments in various stages of dismantlement
22 March 2009
The Arches

Free-form hook up

Ali Robertson Malcy Duff Seymour Wright

Usurper luddite twins’ disabled instruments play a game of pick-up-sticks with the deconstructed horn of a young Derby opponent.

INSTAL 09
Jerome Noetinger's hand twiddling a knob on a mixing desk is in the foreground
22 March 2009
The Arches

Jean-Philippe Gross & Jerome Noetinger

Jean-Philippe Gross Jerome Noetinger

Duo performance by two great French musique concrète improvisers using feedback, contact mics, tape, an old Revox tape machine, a vintage synth…

INSTAL 09
A woman bends over with a stick, in the background a man is hitting a gong
21 March 2009
The Arches

Ki: Mico, Tamio Shiraishi & Fritz Welch

Fritz Welch Mico Tamio Shiraishi

A trio of Tamio’s screaming and immovable slabs of sound; Mico’s dance/ performance/ piano; Fritz’s absurd, flailing percussion/ voice.

INSTAL 09
Christian Bok's blackboard diagram
16 May 2010

Two Dots over a Vowel

Christian Bök

Christian Bök‘s work spans thrillingly conceptual poetry to body-shaking vocal performances.

UNINSTAL
Two men move things around on the floor
16 February 2008

Usurper

Usurper

This set continues on from the Bud Neill inspired clatter using the contents of the Usurper twin’s pockets.

INSTAL 08
Drawing of concentric arrows with 3 words in the centre: attacker, helper,victim
19 April 2015
Tramway

Work Care Class 3 – Care & Revolution

Howard Slater

Final workshop exploring work, care and class. Does the ‘care industry’ summon forth its own class? Can this ‘affective class’, in their ability to care for others, militate against the carelessness of self-interest?

Episode 7: We Can’t Live Without Our Lives
A large band play multiple instruments on a golden lit stage
16 February 2008
The Arches

Energy Births Form

Alan Silva Ben Hall David Keenan Don Dietrich Incapacitants Kazuo Imai Michiyo Yagi Sabu Toyozumi

We wanted to ask a bunch of the best high-energy-improvisers around; can musical form really taking shape via a group energy? Can individual concentration lead to a group consciousness?

INSTAL 08
Nate is shown from the waist up, leaning against a fence, wearing a navy t-shirt
24 November 2019
Tramway

Nathaniel Mackey

Nathaniel Mackey

“Mackey composes realist-mythic layering of lyrical prose unlike anything being written today.” — New York Times. “Our greatest living epic poet…Mackey’s poetry and criticism have reinvented modernism for our time.”— LitHub

Episode 10: A Means Without End
Steffen Basho-Junghans backstage standing by a wall
17 October 2004
The Arches

Steffen Basho-Junghans

Steffen Basho-Junghans

Repetitive, mesmerizing rhythmic workouts, to pieces of stark and rigorous introspection, where notes picked and slid in isolation, scatter like mercury around the listener.

INSTAL 04
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