Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
What would a world and an ethics look like free from the destructive consequences of the Western mind?
A dialogical meeting of Baraka’s radical poetry and Grimes’ free jazz syncopation.
The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.
Can we find ideas of queer anarchism, failure and low theory in popular culture?
Our favourite Lancashire-born autodictact asks what’s political about the tension between the individual and the collective in free jazz.
Come for the crip ingenuity; stay for the smooth feels of what it is to be each other’s everything.
Jarringly beautiful and often maniacal expression of hallucinatory and very personal visions.
Bringing together artists working with music, sound, film and the moving image, KYTN 2008 saw performances, improvisations, screenings and installations over three days at DCA.
The Songspiels take on a mode of musical theatre developed by playwright Bertolt Brecht and composer Kurt Weill in the early twentieth century, presenting political and social concerns through the accessible and (often funny) form of song.
Work that focuses in on the static hiss and background noise of recording and pushes it to the fore.
Lo-fidelity sheets of parinirvanic mangled tone get driven into oblivion by two longstanding gurus of the Northern England primitivist noise.
As opposed to suggesting soundtrack’s to Brakhage’s works [which are almost entirely silent] Text of Light use his works to stimulate improvisation, enveloping them into the structure of the group much like an additional musician.
