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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Inure Takehashi performing in a back corner of Dundee
8 July 2007
Bell Street Car Park

Shadowed Spaces Dundee

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

Location: between: the abandoned site of Parker House (ex-council office building) that became a student accommodation regeneration project, off the Dudhope roundabout; Bell Street Car Park entrance ramp and; the awkward (and otherwise used/ used otherwise) space left over between the back of Tesco’s and DW Sports on the Murraygate.

Shadowed Spaces
INSTAL 05 Publicity Flyer
14 – 16 October 2005
The Arches

INSTAL 05

A cast of pioneering spirits over an expanded three day festival including Jandek (one year on from his first ever show at INSTAL 04), JO-JO, Tetuzi Akiyama,Tom Bruno, Pauline Oliveros, a legendary Hijokaiden performance and Henri Chopin.

Strips of 16mm laid horizontally to show red and yellow flares of light
12 October 2008
DCA

Film Programme: Feedback

John Butcher Luis Recoder Paul Sharits Various Artists Toshiya Tsunoda

The pieces in the programme switch between silent film/ imageless sound, but we wanted to have a think about how ideas can take up residency on either side of the sound/ image border, without having to inhabit both at the same time.

Kill Your Timid Notion 08
a newspaper clipping of a drawing of a donkey, side on
29 November 2008
BFI Southbank CCA Arnolfini

Word Associations

Various Artists Guy Sherwin John Smith

A programme of discontinuity between narration, text and image. Including Manual Saiz’s employment of John Malkovich’s Spanish dubbing double and Peter Rose’s absurdly hilarious concrete poetry subtitling chaos.

Kill Your Timid Notion on Tour
Inure Takehashi playing a snare drum among buddleia
15 July 2007
The former Abbeyhill Station

Shadowed Spaces Edinburgh

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

The site of the former Abbeyhill Station on the 1903 Leith branch of the Edinburgh and Dalkeith railway, overgrown and leading to as yet un-regenerated ‘wasteland’; taxi’s for 80 people, each instructed to take different routes between locations and; a slice of land concealed behind corporate business park branding off the Wester Approach Rd, apparently of no conceivable use and named ‘Chateaux de Scum’ by those who use it anyway.

Shadowed Spaces
Arika_Episode2_RayBrassier_ThomasMetzinger_TheViewFromNowherePart1_AWoodward-6
25 February 2012
Tramway

The View From Nowhere Part 1

Ray Brassier Thomas Metzinger

Ray and Thomas talking about how cognitive neuroscience is unlocking the physical basis of personal experience.

Episode 2: A Special Form of Darkness
A black pen line drawing of all the members of the Carni Collective
26 March 2022
CCA Annex (Online)

Part One | Parte I

CARNI – Coletivo de Arte Negra e Indígena Periferia Segue Sangrando Denise Ferreira da Silva Ana Lira

A Breath to Follow | Um sopro a se seguir
Arika_ASIAPOL_Whitney2012_Ultra-red_GeorgeLewis_Photo_BMcIntyre-22
2 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Ultra-red George Lewis

For day one of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by George E. Lewis.

A survey is a process of listening
StevenAnderson_Part1_AW_5
13 November 2010
Tramway

Steven Anderson

Steven Anderson

Three short performances involving social exchange (jumpers, hats, glasses…) and singing (ballads)

INSTAL 10
Samuel R. Delany white hair and beard reading on stage at EPISODE 9
19 November 2017
Tramway

Beyond Transgression

Samuel R. Delany

Chip will read some of his great literary pornography, which pushes sexuality to the point of extremity and exhaustion.

Episode 9: Other Worlds Already Exist
A film frames has the words "Scene Missing" displayed
25 February 2010
DCA

Standard Gauge & ()

Morgan Fisher

A double bill of Morgan Fisher films that ask what can be achieved by a simple structural method of commenting on scraps of 35mm film, re-shot on 16mm film and what happens to meaning (if anything) when ‘insert shots’ are relieved of their original duty of providing crucial plot development for a variety of other movies?

Kill Your Timid Notion 10
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