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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Music Lover's Field Companion 05 publicity flyer
20 – 22 May 2005
The Sage Gateshead

Music Lover’s Field Companion 05

Taking our festivals south of the border to The Sage Gateshead we set out to offer a few cardinal pointers in the vast array of experimental music practices.

Stephan Mathieu backstage at Instal 02
1 December 2002
The Arches

Stephan Mathieu

Stephan Mathieu

Work that focuses in on the static hiss and background noise of recording and pushes it to the fore.

INSTAL 02
An abstract pattern against a black background
17 February 2006
DCA

Christmas Tree Stand

Bruce McClure

A stroboscopic and intense sensory overload of flashing abstract forms, cut to ribbons by modified projectors.

Kill Your Timid Notion 06
Inure Takehashi performing in a back corner of Dundee
8 July 2007
Bell Street Car Park

Shadowed Spaces Dundee

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

Location: between: the abandoned site of Parker House (ex-council office building) that became a student accommodation regeneration project, off the Dudhope roundabout; Bell Street Car Park entrance ramp and; the awkward (and otherwise used/ used otherwise) space left over between the back of Tesco’s and DW Sports on the Murraygate.

Shadowed Spaces
Ann Cvetkovich sitting at a table speaking into a microphone
26 May 2013
Tramway

Public Feelings

Ann Cvetkovich

The role of feelings in public life, (political) depression and creative survival.

Episode 5: Hidden in Plain Sight
Two people standing by a door, one is wearing a purple cloak
21 October 2016
Tramway

Criminal Queers

Chris Vargas Eric A Stanley

Criminal Queers visualises a radical trans/queer struggle against the prison industrial complex, working to abolish the multiple ways our hearts, genders, and desires are confined.

Episode 8: Refuse Powers’ Grasp
Terre Thaemlitz lies on the ground, next to a motorcycle, posing provocatively
25 May 2013
Tramway

Soulnessless – Cantos I-IV

Terre Thaemlitz

An audio and video investigation of gender cults, Catholicism, hauntings and nuns’ use of audio devices…

Episode 5: Hidden in Plain Sight
Burkhard Stangl silhouetted against a projection of an eye
19 October 2003
DCA

Phonographics, Live

Burkhard Stangl Fennesz Gustav Deutsch Martin Siewert Werner Dafeldecker

A live installation of the ‘Film Ist’: projected on 4 huge screens and an improvised soundtrack from 4 figureheads of the Austrian experimental music scene.

Kill Your Timid Notion 03
1 December 2002
The Arches

John Wall

John Wall

Tiny fragments of sound recombined and woven into spare and precise, violent yet beautiful pieces

INSTAL 02
Image with the words: Philip Jeck
9 December 2001
The Arches

Philip Jeck

Philip Jeck

Philip Jeck creates slowly evolving symphonies that are as much about the crackling hiss of old vinyl as the actual ‘musical’ material.

INSTAL 01
Hannah Proctor stands on stage in front of a lectern delivering their performed reading. Behind Hannah is a project image of a crowd in a smoke filled city street, giving the impression of a conflict or war environment.
13 November 2024
Tramway Live Stream

Four Endings to Begin

Masa Nazzal River MacAskill Hannah Proctor Gracie Mae Bradley Joel White

Four perspectives from people involved in different anti-capitalist and anti-racist struggles, considering how ideas of ‘ending’ have shaped their political thinking and praxis.

Episode 11: To End the World As We Know It
Nate is shown from the waist up, leaning against a fence, wearing a navy t-shirt
24 November 2019
Tramway

Nathaniel Mackey

Nathaniel Mackey

“Mackey composes realist-mythic layering of lyrical prose unlike anything being written today.” — New York Times. “Our greatest living epic poet…Mackey’s poetry and criticism have reinvented modernism for our time.”— LitHub

Episode 10: A Means Without End
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