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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Eye Contact group on stage in pink light at INSTAL 06
15 October 2006
The Arches

Eye Contact

Eye Contact

Free Jazz group comprising Matt Lavelle, Matt Heyner (TEST, No-Neck Blues Band) and Ryan Sawyer (Tall Firs).

INSTAL 06
A view down a long underground corridor with lockers and a few seated figures
24 February 2010
DCA

Lunch Break

Sharon Lockhart

A slowed down single tracking shot along a corridor as workers at the Bath Iron Works, (Maine, USA) take their lunch break.

Kill Your Timid Notion 10
Kill Your Timid Notion 04 brochure cover
10 – 12 December 2004
DCA

Kill Your Timid Notion 04

A celebration of risk taking and adventure from some of the boldest pioneers of the past 40 years, melding avant garde and underground forms of music and moving image to create new experiments and experiences in sight and sound.

Heads of musicians silhouetted against a film projected on a wall
11 December 2004
DCA

Tower Recordings

Tower Recordings

The Tower performance at KYTN throws into that mix the 70’s fluxus light shows and films of Jeff Perkins and other filmic interventions tuned to their unique frequency.

Kill Your Timid Notion 04
Jo Jo plays a guitar with equipment visible & knees bent
14 October 2005
The Arches

JOJO Hiroshige

JO JO Hiroshige

A fulcrum to the Japanese noise scene, JOJO Hiroshige has been responsible for much of the explosion of free music coming from Japan in the last 30 years.

INSTAL 05
Nate is shown from the waist up, leaning against a fence, wearing a navy t-shirt
24 November 2019
Tramway

Nathaniel Mackey

Nathaniel Mackey

“Mackey composes realist-mythic layering of lyrical prose unlike anything being written today.” — New York Times. “Our greatest living epic poet…Mackey’s poetry and criticism have reinvented modernism for our time.”— LitHub

Episode 10: A Means Without End
A man sits at a desk with a large timer clock on it and speaks to camera
28 February 2010
DCA

Morgan Fisher – Screening and Chat

Morgan Fisher

Morgan Fisher is a filmmaker of great wit and charm who uses the tools of experimental film to dissect the basic presuppositions of commercial cinema.

Kill Your Timid Notion 10
Tens of silken knotted ropes in shades of gold and blue hang vertically
22 November 2019
Tramway

Exhibition: Gravitational Feel

Fred Moten Wu Tsang

How do we sense entanglement? Can the knotting of ropes according to a poem’s rhythm make the social pulse of language matter?

Episode 10: A Means Without End
Two people with headphones listen to items in an installation at a large table
14 November 2010
Tramway

Temporary Outpost for an Auditory Gesture

Brandon LaBelle

Temporary Outpost for an Auditory Gesture is a kind of performed installation that explores how sonic phenomena (like feedback, vibration, resonance, echo, rhythm) condition our experience.

INSTAL 10
Reina smiles as they hold a placard: "This is our life, this is our time"
28 September 2014
Tramway

From Subjection to Subjection

Charlene Sinclair Saidiya Hartman Tourmaline

A conversation about the movement for prison abolition and refusing the logic of race and sex that underpins the criminalisation and mass incarceration of communities.

Episode 6: Make a Way Out of No Way
arika_ep7_IMG_5802
18 April 2015
Tramway

Poethical Readings/Intuiting the Political

Denise Ferreira da Silva Valentina Desideri

A performed, open, public conversation about how we might think politics from the position of intuition, in which Denise and Valentina use un-reasonable tools to map out a hybrid poetical/ ethical reading of their own situations.

A drawing of skull has the numbers 21 - 87 in a serif font written over the eyes
12 October 2008
DCA

Film Programme: Sonic Landscapes

Various Artists

Can a musician create a sonic photograph; something with a depth of field, where you can hear sounds and their interconnections, much as you see objects and their relationships in a photo? Could a filmmaker use musical concepts to represent landscape?

Kill Your Timid Notion 08
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