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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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2. Poster print image with the caption “capitalism also depends on domestic labour” and an illustration of a factory production line, but instead of factory work, the activity on the production line depicts women undertaking domestic labour, caring for the factory worker at home, in-between leaving and entering the factory.
13 March 2022
Online

Frequency of Touch: the Making of Motherhood

Helen Charman Margaret Salmon

This session focuses in on the defiant mutual aid practices of early and DIY feminist movements in the UK, that attempted to shift and radicalise care and kinship away from the domain of the nuclear family.

Mutual Aid
Nikos and Rhordi wood chipping a cello near a projector
17 – 22 March 2009
The Arches

World Music Documentary

Eva-Maria Houben Fritz Welch Hermann Nitsch Jean-Luc Guionnet Jean-Philippe Gross Jerome Noetinger Joan La Barbara Klaus Filip Michael Pisaro Mico Nikos Veliotis Otomo Yoshihide Phil Minton Radu Malfatti Rhodri Davies Sachiko M Sean Meehan Seymour Wright Steve McCaffery Taku Unami Tamio Shiraishi Tetsuo Kogawa Toshimaru Nakamura

Greek TV company Onos Productions came to INSTAL 09 to document the festival and report on Nikos Veliotis’ Cello Powder performance.

Ellen fullman's long string instrument : many strings strung across a long room
13 October 2006
The Arches

Ellen Fullman & Sean Meehan

Ellen Fullman Sean Meehan

Long Stringed Instrument performance involving up to 100 wires strung in tension over a 40m arch.

INSTAL 06
Otomo Yoshihide seated between two upright pianos their interiors exposed
22 March 2009
The Arches

Filament: Sachiko M & Otomo Yoshihide

Otomo Yoshihide Sachiko M

Sachiko’s very simple, pure sine tones and structures. Otomo on double pianos. Filament’s music isn’t composed and it isn’t improvised: it’s a hybrid of the two.

INSTAL 09
A projected circle of light made up of fragments, patterns
29 November 2008
BFI Southbank BFI IMAX ICA Spike Island Arnolfini CCA

Bruce McClure

Bruce McClure

Noise music for the eyes: projectors turned into instruments, B&W film loops into a thrumming riot of colour, motion and sound.

Kill Your Timid Notion on Tour
Phil Minton conducts a large choir at DCA
9 October 2008
DCA

Feral Choir

Phil Minton

A Feral Choir of people who’ve never improvised with their voices before, conducted by improviser yodeller, composer Phil Minton.

Kill Your Timid Notion 08
11 March 2022
Online

Prisoner Solidarity in Practice

Prisoner Solidarity Network Glasgow Prisoner Solidarity

How do people both inside and outside of prison work together to dismantle the criminal justice system and build a society based on collective care?

Mutual Aid
Black background with outlines of map contour lines in blue
20 – 29 June 2006
Various

Resonant Spaces

A tour with John Butcher and Akio Suzuki that set out to allow the audience to experience (and to listen to) the enviroment around them in different way.

Wormit reservoir: a concrete columns and pools of water in a large sunless room
27 June 2006
Wormit Reservoir

Wormit Reservoir

Akio Suzuki John Butcher

Akio Suzuki and John Butcher performing in an old underground reservoir in Fife.

Resonant Spaces
Lee Patterson sitting next to a projection of himself, pensive
10 October 2008
DCA

North West from Chester Hill, Composition – 10 (1960)

Lee Patterson Luke Fowler

A delicate and detailed walk through the urban and rural landscape around Dundee; a poetic focus on the details found. A performance for 16mm projection and live amplified objects (maybe pine cones, maybe a coke bottle).

Kill Your Timid Notion 08
White text over an advert showing a man on a boat
21 January 2012
CCA

Argument – We would argue: an ante/post discussion group

Gil Leung Ian White

Ian and Gil will host a discussion on the Argument project’s social and political commentaries, and with you try and maybe think through whether and how they might still have some currency today: what’s changed and what’s stayed the same?

Episode 1: A Film is a Statement
Arika_ASIAPOL_Whitney2012_Ultra-red_GeorgeLewis_Photo_BMcIntyre-22
2 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Ultra-red George Lewis

For day one of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by George E. Lewis.

A survey is a process of listening
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