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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Episodes
A portrait of Fred Moten wearing sunglasses and a cheeky smile

artist

Fred Moten
Chuquimamani-Condori performing. Their face tilts downwards. They are wearing a wide brimmed hat, the background is dark and their face is lit dramatically by the cast of a red light

Type

Music Performance
under a dramatic spotlight boychild wrapped in string is hunched and performs

Theme Pair

Body | Disembody

All Archive (721)

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Four People sitting in a row, one in red hair talking
20 April 2017
Strathclyde Uni

Supporting Sex Workers

Catriona O’Brien Chamindra Weerawardhana Gracie Mae Bradley Juno Mac Laura Watson Luca Stevenson Nadine Stott Paulina Nicol Sabrina Sánchez Thierry Schaffauser

Three panels offering opportunities to discuss how to build stronger alliances between the sex workers’ rights, migrants rights and reproductive justice movements and how to face, together, an increasingly punitive and reactionary system.

Sex Workers’ Festival of Resistance
"Episode 11: To End the Worlds As We Know It" title superimposed in white & red text on top of a blue back ground with a dark navy circle that looks like ripped paper.
13 – 17 November 2024
Tramway Glasgow School of Art

Episode 11: To End the World As We Know It

5 days of film, music, discussion and study of our collective incompleteness—arrayed against the colonial ordering of how we come to know the world—practicing how we might exist otherwise, right here and now. Can we start to know and practice the world to come?

Rashad Becker on stage, performing at a desk with sound and audio equipment. The background is dark and a pinkish red light highlights Rashad
17 November 2024
Tramway Live Stream

Based on a True Story – 1986

Rashad Becker

The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.

Episode 11: To End the World As We Know It
twelve rectangular images projected on a long screen
10 October 2008
DCA

After Leonardo

Keith Rowe Malcolm Le Grice

A poetic multi-screen performance about “the inadequacy of the arbitrary passing moment and the impossibility of permanence”. About time and change.

Kill Your Timid Notion 08
Some figures and equipment casting shadows on a fabric screen
12 April 2007
DCA

The Cube

Christophe Cardoen Etienne Caire Gaëlle Rouard Jerome Noetinger Kris Auger Lionel Marchetti Xavier Quérel

The Cube is a 6 hour performed installation in which sound and image are treated as independent but equal, where musicians and filmmakers sit alongside each other, improvise to and feed off both projected image and amplified and acoustic sound.

Kill Your Timid Notion 07
Klaus sits at a table and plays electronics whilst Radu plays trombone
21 March 2009
The Arches

Klaus Filip & Radu Malfatti

Klaus Filip Radu Malfatti

Radu plays a trombone, Klaus creates pure sine waves: they sound on their own, or sometimes together and often with considerable space and silence.

INSTAL 09
Arika_Episode2_RayBrassier_ThomasMetzinger_TheViewFromNowherePart1_AWoodward-6
25 February 2012
Tramway

The View From Nowhere Part 1

Ray Brassier Thomas Metzinger

Ray and Thomas talking about how cognitive neuroscience is unlocking the physical basis of personal experience.

Episode 2: A Special Form of Darkness
Two figures boxing in front of an audience
27 February 2010
DCA

Overheard (Suspension of Belief Sketch 4)

Resonance Radio Orchestra

There are core ways in which our listening to the radio differs from other kinds of listening. What happens when we pay attention to how we pay attention?

Kill Your Timid Notion 10
Lutz Becker reads a text, seated cross legged on a platform, against a blank wal
20 January 2012
CCA

Kino Beleske (Film Notes)

Lutz Becker

Recently rediscovered but still very pertinent, Kino Beleške presents a series of speech acts and performative gestures by protagonists of the new artistic practice in former Yugoslavia: each a personal take on the role of art in society.

Episode 1: A Film is a Statement