
Episode 2: A Special Form of Darkness
A festival asking how ideas of nihilism, darkness, subjectivity and abjection play out in experimental music, performance art, horror, neuroscience and philosophy?
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A festival asking how ideas of nihilism, darkness, subjectivity and abjection play out in experimental music, performance art, horror, neuroscience and philosophy?
Akio Suzuki and John Butcher performing in a large multi chambered industrial ice house.
A double bill of Morgan Fisher films that ask what can be achieved by a simple structural method of commenting on scraps of 35mm film, re-shot on 16mm film and what happens to meaning (if anything) when ‘insert shots’ are relieved of their original duty of providing crucial plot development for a variety of other movies?
Jacobs’ pulsing and abstract 3D Nervous Magic Lantern performance grounded by Eric La Casa’s manipulated recordings of everyday locations.
We wanted to ask a bunch of the best high-energy-improvisers around; can musical form really taking shape via a group energy? Can individual concentration lead to a group consciousness?
The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.
A dialogical meeting of Baraka’s radical poetry and Grimes’ free jazz syncopation.
Low-end drone guitarage army since 1997: nobody has done more on this occasion by a gaggle of sludge-lovers from the Scottish underground.
Talk charting the radical history of experimental music in Japan + the lowdown into the careers of many of the artists appearing at MLFC.
A celebration of the release of four books written by members of, and focused on about the House and Ballroom scene.
A cinema of the mind, a film to take place in the viewers’ imagination(s).
Simon Morris is joined by Nick Thurston as they attempt to read aloud whilst peddling on exercise bikes.