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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Arika_Whitney_ASIAPOL_BrandonLaBelle-16
2 May 2012
Whitney Museum of American Art

Temporary outpost for an auditory figure

Brandon LaBelle

A temporary archive and research space tracing the ways in which sound and audition move through everyday life.

A survey is a process of listening
Some figures and equipment casting shadows on a fabric screen
12 April 2007
DCA

The Cube

Christophe Cardoen Etienne Caire Gaëlle Rouard Jerome Noetinger Kris Auger Lionel Marchetti Xavier Quérel

The Cube is a 6 hour performed installation in which sound and image are treated as independent but equal, where musicians and filmmakers sit alongside each other, improvise to and feed off both projected image and amplified and acoustic sound.

Kill Your Timid Notion 07
Four People sitting in a row, one in red hair talking
20 April 2017
Strathclyde Uni

Supporting Sex Workers

Catriona O’Brien Chamindra Weerawardhana Gracie Mae Bradley Juno Mac Laura Watson Luca Stevenson Nadine Stott Paulina Nicol Sabrina Sánchez Thierry Schaffauser

Three panels offering opportunities to discuss how to build stronger alliances between the sex workers’ rights, migrants rights and reproductive justice movements and how to face, together, an increasingly punitive and reactionary system.

Sex Workers’ Festival of Resistance
A figure in leather and studded cuffs wears a large visor with the word SHADE
20 April 2014
MoMA PS1

Respect the Runway: The Red Carpet to Mastery

Various Artists

Organised by Twiggy Pucci Garcon and Pony Zion, The Masters Ball focuses on the work of 50 individuals designated within the scene as ‘masters’ in their respective performance categories, which include Vogue, Runway, and Face.

Master Ballstar Weekend
theeyeandtheear
15 April 2007
DCA

Film Programme 6: Contrast

Various Artists Guy Sherwin

Includes: tamed TV snow, video feedback of racing particles, a remake of a polish photogram film destroyed in WWII, a visual and aural representation of Gestalt theory, hole-punched film and Guy Sherwin’s Cycles 3 double-projection.

Kill Your Timid Notion 07
Two men in suits and ties ride exercise bikes whilst reading from books
16 February 2008
The Arches

Translation

Simon Morris

Simon Morris is joined by Nick Thurston as they attempt to read aloud whilst peddling on exercise bikes.

INSTAL 08
Akio Suzuki blowing into a small object in an ice house
25 June 2006
Tugnet Ice House

Tugnet Ice House

Akio Suzuki John Butcher

Akio Suzuki and John Butcher performing in a large multi chambered industrial ice house.

Resonant Spaces
Kjell Björgeengen, Keith Rowe & Philipp Wachsmann with equipment and screens
29 November – 7 December 2008
ICA Spike Island CCA

Kjell Björgeengen, Keith Rowe & Philipp Wachsmann

Keith Rowe Kjell Björgeengen Philipp Wachsmann

An immersive environment where sound is looped through oscillators, radio, guitar pick-ups and video amps to create dense strobing images and colours

Kill Your Timid Notion on Tour
13 October 2006
The Arches

Infest – Wounded Knee

Wounded Knee

Cask-strength electrohypnol/ shroom damaged folk croonings by Lapsed Electronics empire builder responsible for recent Tremors blowouts.

INSTAL 06
A man crouching before an audience operating a projector
13 April 2007
DCA

Keith Evans & Coelacanth

Keith Evans Loren Chasse

A system in which film is projected onto copper strips, captured again and then re-projected as video, somehow transforming the original imagery into molasses-slow, molten and incredibly tactile flickers of colour and light.

Kill Your Timid Notion 07
NEVE sits, gesturing, on a leather covered chair, head raised
11 April 2019
Performance Space New York

Lover of Low Creatures

NEVE

A sung-through Nubian musical ballet. A darkly humorous take on sexual trauma and what magical and ancestral tools might heal it.

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