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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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All Archive (721)

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arika_ep7_IMG_4492
17 April 2015
Tramway

Ueinzz Crossings

Ueinzz

An open collaborative workshop space in which games, warm-up sessions, exercises and scenes are potentially the same thing, through which to project your own concerns onto the stage.

Episode 7: We Can’t Live Without Our Lives
Still from animated film ‘shit’s totally fucked! What can we do? A mutual aid explainer’ – text and illustrations on paper and wood, that spells out “something really important about all this is that Mutual Aid is not Charity”
9 March 2022

Mutual Aid on the Road to Abolition

Dean Spade Abolitionist Futures

How do we make the connections between the mutual aid practices of our daily lives and anti-capitalist efforts to dismantle wider systems of exploitation?

Mutual Aid
13 October 2006
The Arches

Infest – Jazzfinger

Jazzfinger

Lo-fidelity sheets of parinirvanic mangled tone get driven into oblivion by two longstanding gurus of the Northern England primitivist noise.

INSTAL 06
Sondra Perry stands on ladder in front of screen with multiple layered images
23 October 2016
Tramway

Lineage for a Multiple-Monitor Work-station

Sondra Perry

A celebration of our overabundant social entanglement and complicity, that remind us of how we can see ourselves, stripped of powers’ attempts to grasp us.

Episode 8: Refuse Powers’ Grasp
Bhob Rainey, Jason Lescalleet & Greg Kelley backstage at INSTAL 06
13 October 2006
The Arches

Nmperign + Jason Lescalleet

Jason Lescalleet Nmperign

Music is full of refracted brass and wind tones, distorted tape loops, dead silent air and the occasional piercing shard of sound.

INSTAL 06
James Whitehead standing by a blackboard
16 May 2010
Tramway

JILAT

JLIAT / James Whitehead

UK conceptual/ drone/ noise artist, who is seriously posing what might seem to be unanswerable questions of music.

UNINSTAL
17 November 2024
Tramway

Trans Breakfast at the End of the World

Mijke van der Drift Nat Raha

An informal conversation, over breakfast, about how abolition and movement work structures Mijke and Nat’s approach to transfeminism, ahead of their new book Trans Femme Futures.

Episode 11: To End the World As We Know It
Side profile portrait of Rashad Becker wearing a peaked baseball cap.
15 November 2024
Tramway Live Stream

Subversive Strategies in Sound and Music

Rashad Becker Sunik Kim

A chat with Rashad about the communist, conceptual methodology that informs his ground-breaking synthetic music—a form of speculative sonic fiction writing to produce hyperreal non-representational auditive experiences.

Episode 11: To End the World As We Know It
Tetusi Akiyama sitting with a guitar surrounded by audience
15 October 2005
The Arches

Tetuzi Akiyama

Tetuzi Akiyama

An contradictory guitarist, he’s equally at home in slow, halting acoustic improvisation or piercing minimal examinations of electric guitar.

INSTAL 05
17 November 2024
Tramway Live Stream

Sunik Kim Performance

Sunik Kim

A dense materialist experience at the limits of contemporary computer music, drawing on Korean Shamanism and Communism; striving to create a strange new vibration to the world that seems to contain the seed of everything.

Episode 11: To End the World As We Know It
participants sit at a large table listening to the discussion
3 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Ultra-red Vogue’ology

For day two of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by the Vogue’ology collective.

A survey is a process of listening
Akio Suzuki blowing into a small object in an ice house
25 June 2006
Tugnet Ice House

Tugnet Ice House

Akio Suzuki John Butcher

Akio Suzuki and John Butcher performing in a large multi chambered industrial ice house.

Resonant Spaces