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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Up-Tight on stage at INSTAL 05 lit from behind in high contrast
14 October 2005
The Arches

UP-TIGHT

UP-TIGHT

Black-clad with an ominous aura created by their distorted guitar epics, burnt-out ballads and raucous mantric jams.

INSTAL 05
People huddled around a speaker on a street in Glasgow
9 May 2010
George Square

In The Shadow of Shadow – Walk

The Strickland Distribution Ultra-red

A public walk from George Square to the Barras market bringing contributions from researchers, activists and artists in a form of live critical praxis

UNINSTAL
A wooden carved monkey smokes a pipe
20 March 2009

Extra Friday Set

Klaus Filip Radu Malfatti Sean Meehan Taku Unami

Quartet improvisation by Klaus Filip – laptop, Radu Malfatti – trombone, Sean Meehan – snare & cymbals, Taku Unami – rice and dish.

INSTAL 09
A Film is a Statement Poster Graphic
19 – 22 January 2012
CCA GFT

Episode 1: A Film is a Statement

Every aspect of every film is always about more than just film. Or, as Godard said: a tracking shot is a moral issue. A cross between a festival, magazine and discussion about experimental artists’ films.

21 March 2009
CCA

Encuentro Glasgow

Ultra-red

A public gathering that brings together local artists, musicians, activists, and community organisers.

INSTAL 09
Beams of light fanning out across an audience from different directions
29 November 2008
BFI Southbank BFI IMAX ICA Spike Island Arnolfini CCA

Light Trap

Greg Pope Norbert Möslang

Out of a dark haze, shafts of light emerge, as the emulsion is scratched from the surface of the film. Simultaneously, out of the black silence, noise and audible scratches bloom into a bright drone.

Kill Your Timid Notion on Tour
Richard Youngs stamps his foot and gesticulates as he sings energetically
17 February 2008
The Arches

Personal Space

Luke Fowler Richard Youngs

For musical chameleon Richard Youngs both his creative and family life are focused in the room that many of us consider the centre piece of our lives.

INSTAL 08
Two men in hats in a black and while film still look warily off screen
27 February 2010
DCA

Noir & Perfect Film

Ken Jacobs Mirko Martin

A double bill of A (imageless) film of nothing but a sound recording and its transcription and a found film of news interviews about Malcolm X’s assasination, where the filmmaker decided to add nothing to it, except our attention.

Kill Your Timid Notion 10
Several tables covered in white paper have blue chairs around them.
5 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Fred Moten Ultra-red

For day four of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by Fred Moten.

A survey is a process of listening
The panel members at a rectangular table listen to a question
26 May 2013
Tramway

We have something to say about… Pt2

Emma Hedditch Frank Roberts Michael Roberson Pony Zion Robert Sember Terre Thaemlitz Vjuan Allure Vogue’ology

A historical narrative of the black and latino/a transgender, bisexual, lesbian, and gay House and Ballroom Scene in relation to its artistic practices.

Episode 5: Hidden in Plain Sight
A rectangle of red light, one of green light and a beam of white light
13 April 2007
DCA

Wave Formations

William Raban

Wave Formations is a 5 screen work in which each screen runs through a series of fades and then stroboscopic flashes of colour, to create a series of visual harmonics.

Kill Your Timid Notion 07
A blue and mauve background with black text that reads System Errors
17 August 2020
Online

System Errors: Abolitionist Technologies and Aesthetics

American Artist Danielle Brathwaite-Shirley Juliana Huxtable Legacy Russell

A panel exploring the radical potential of technologies through fugitivity and opacity: their ability to obscure, to make it impossible for us to be known, to render us untraceable by every arm of the state even under the all-consuming spectre of surveillance capital.

Revolution is not a one-time event
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